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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    304 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    367 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "Girgenti (The Temple of Juno Lacinia at"6 records

Institutions answered newest-first by record, interleaved

Glass portrait head of a woman by an unrecorded maker, The Metropolitan Museum of Art

Glass portrait head of a woman

Unrecorded maker

1st half of 2nd century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Temple of Venus by Meissen Manufactory, The Metropolitan Museum of Art

Temple of Venus

Meissen Manufactory (d. 9999)

ca. 1727–28 · Hard-paste porcelain decorated in polychrome enamels, gold

Cleared · Public Domain

live
The MetSimilar
Girgenti (The Temple of Juno Lacinia at Agrigentum) by William Stanley Haseltine, The Metropolitan Museum of Art

Girgenti (The Temple of Juno Lacinia at Agrigentum)

William Stanley Haseltine (d. 1900)

1881 · Watercolor, gouache, and graphite on blue paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Interior view of the temple which is believed to have been dedicated to Juno...(now identified as the Temple of Athena), plate 20 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)

Francesco Piranesi (d. 1810)

1778 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Side view of the Temple of Juno...(now identified as the Temple of Athena), plate 19 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)

Francesco Piranesi (d. 1810)

1778 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of another temple in the city of Pesto (Paestum), which is commonly believed to have been dedicated to Juno, plate 18 from "Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidinia qui est située dans la Lucanie" (Different views of some of the remains of three great edifices that still exist at the center of the ancient city of Pesto, or Posidonia [Paestum], which is situated in Lucania)

Giovanni Battista Piranesi (d. 1778)

1778 · Etching

In copyright

live
The MetSimilar

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