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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    889 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    296 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 331 matching records exist across the two collections.

Results for "Glass plaque fragment depicting a trophy"12 records

Institutions answered newest-first by record, interleaved

Glass cameo plaque fragment by an unrecorded maker, The Metropolitan Museum of Art

Glass cameo plaque fragment

Unrecorded maker

end of 1st century BCE–beginning of 1st century CE · Glass paste

Cleared · Public Domain

live
The MetSimilar
Cameo glass fragment by an unrecorded maker, The Metropolitan Museum of Art

Cameo glass fragment

Unrecorded maker

1st half of 1st century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Glass cameo plaque fragment by an unrecorded maker, The Metropolitan Museum of Art

Glass cameo plaque fragment

Unrecorded maker

1st century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Glass plaque fragment by an unrecorded maker, The Metropolitan Museum of Art

Glass plaque fragment

Unrecorded maker

1st century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Glass plaque fragment by an unrecorded maker, The Metropolitan Museum of Art

Glass plaque fragment

Unrecorded maker

1st century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Glass plaque fragment depicting a trophy and captives by an unrecorded maker, The Metropolitan Museum of Art

Glass plaque fragment depicting a trophy and captives

Unrecorded maker

1st century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Glass relief fragment by an unrecorded maker, The Metropolitan Museum of Art

Glass relief fragment

Unrecorded maker

1st century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Glass revetment plaque fragment by an unrecorded maker, The Metropolitan Museum of Art

Glass revetment plaque fragment

Unrecorded maker

1st century BCE–1st century CE · Glass

Cleared · Public Domain

live
The MetSimilar
Fragment of floral plaque by an unrecorded maker, The Metropolitan Museum of Art

Fragment of floral plaque

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar
Fragment of floral plaque by an unrecorded maker, The Metropolitan Museum of Art

Fragment of floral plaque

Unrecorded maker

100 BCE–100 CE · Glass

Cleared · Public Domain

live
The MetSimilar
Trophy relief fragment by an unrecorded maker, The Metropolitan Museum of Art

Trophy relief fragment

Unrecorded maker

1st–2nd century · Marble

Cleared · Public Domain

live
The MetSimilar
Plaque depicting Bernard Palissy by Sèvres Manufactory, The Metropolitan Museum of Art

Plaque depicting Bernard Palissy

Sèvres Manufactory (d. 9999)

1846 · Hard-paste porcelain decorated in polychrome enamels; gilt-bronze, polychrome enamel, biscuit-porcelain frame

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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