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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    459 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 101 matching records exist across the two collections.

Results for "God's throne supported by two striding l"11 records

Institutions answered newest-first by record, interleaved

Pectoral and Necklace of Sithathoryunet with the Name of Senwosret II by an unrecorded maker, The Metropolitan Museum of Art

Pectoral and Necklace of Sithathoryunet with the Name of Senwosret II

Unrecorded maker

ca. 1887–1878 B.C. · Gold, carnelian, lapis lazuli, turquoise, garnet (pectoral) Gold, carnelian, lapis lazuli, turquoise, green feldspar (necklace)

Cleared · Public Domain

live
The MetSimilar
Document Sealings With the Throne Name of Thutmose III by an unrecorded maker, The Metropolitan Museum of Art

Document Sealings With the Throne Name of Thutmose III

Unrecorded maker

ca. 1386–1347 BCE · Sun-dried mud

Cleared · Public Domain

live
The MetSimilar
Document Sealings With the Throne Name of Thutmose III by an unrecorded maker, The Metropolitan Museum of Art

Document Sealings With the Throne Name of Thutmose III

Unrecorded maker

ca. 1386–1347 BCE · Sun-dried mud

Cleared · Public Domain

live
The MetSimilar
Relief from the North Wall of a Chapel of Ramesses I by an unrecorded maker, The Metropolitan Museum of Art

Relief from the North Wall of a Chapel of Ramesses I

Unrecorded maker

ca. 1299–1290 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Stela with man offering to Re-Harakhty, unfinished by an unrecorded maker, The Metropolitan Museum of Art

Stela with man offering to Re-Harakhty, unfinished

Unrecorded maker

ca. 721–664 BCE · Wood, gesso, paint

Cleared · Public Domain

live
The MetSimilar
Throne for a god with royal statue by an unrecorded maker, The Metropolitan Museum of Art

Throne for a god with royal statue

Unrecorded maker

664–332 BCE · Bronze or copper alloy

Cleared · Public Domain

live
The MetSimilar
God's throne supported by two striding lions by an unrecorded maker, The Metropolitan Museum of Art

God's throne supported by two striding lions

Unrecorded maker

332–30 BCE · cupreous metal

Cleared · Public Domain

live
The MetSimilar
Ibis on a wooden base by an unrecorded maker, The Metropolitan Museum of Art

Ibis on a wooden base

Unrecorded maker

664–30 BCE · Cupreous metal, glass or stone inlay, wood

Cleared · Public Domain

live
The MetSimilar
Cartonnage fragment by an unrecorded maker, The Metropolitan Museum of Art

Cartonnage fragment

Unrecorded maker

100–300 CE · Linen, stucco, paint

Cleared · Public Domain

live
The MetSimilar
Throne Leg in the Shape of a Griffin by an unrecorded maker, The Metropolitan Museum of Art

Throne Leg in the Shape of a Griffin

Unrecorded maker

late 7th–early 8th century · Bronze; cast around a ceramic core and chased

Cleared · Public Domain

live
The MetSimilar
Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh, The Metropolitan Museum of Art

Raja Balwant Singh’s Vision of Krishna and Radha

Nainsukh (d. 1778)

ca. 1745–50 · Ink, opaque watercolor, and gold on paper

Cleared · Public Domain

live
The MetSimilar

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