Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    261 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    359 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "God Appearing to Moses in the Burning Bu"8 records

Institutions answered newest-first by record, interleaved

Landscape with Moses and the Burning Bush by Domenichino (Domenico Zampieri), The Metropolitan Museum of Art

Landscape with Moses and the Burning Bush

Domenichino (Domenico Zampieri) (d. 1641)

1610–16 · Oil on copper

Cleared · Public Domain

live
The MetSimilar
Sampler by Sarah Lawrence, The Metropolitan Museum of Art

Sampler

Sarah Lawrence (d. 9999)

1768 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Dril-Bu and Dorje by an unrecorded maker, The Metropolitan Museum of Art

Dril-Bu and Dorje

Unrecorded maker

19th century · bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wilton album, folio 16a: Moses and the Burning Bush; God appearing to Moses in the shape of a burning bush on the right; a landscape in the background

Andrea Schiavone (Andrea Meldola) (d. 1563)

1540–50 · Etching and drypoint; retouched in pen and ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

God Appearing to Moses in the Burning Bush, from The Story of Moses, bound in "Thesaurus Sacrarum historiarum Veteris et Novi Testamenti"

Johann Sadeler I (d. 1601)

1574 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

God appearing to Moses in the Form of a Column of Smoke in the Israelite Camp

Nicolas Chaperon (d. 1656)

1649 · Etching; third state of four

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 30: God appearing to Moses in the burning bush, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"

Cesare Fantetti (d. 1675)

1675 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 35: God appearing as a pillar of smoke in the Israelite camp to speak to Moses, from "Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis"

Cesare Fantetti (d. 1675)

1675 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.