Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Tryjaguarstill lifeharbourportraitjade
Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    316 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    333 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 129 matching records exist across the two collections.

Results for "God the Father Seated on a Cloud, Flanke"12 records

Institutions answered newest-first by record, interleaved

Lentoid Bottle ("New Year's Bottle") inscribed for the God's Father Amenhotep, son of the God's Father Iufaa by an unrecorded maker, The Metropolitan Museum of Art

Lentoid Bottle ("New Year's Bottle") inscribed for the God's Father Amenhotep, son of the God's Father Iufaa

Unrecorded maker

664–525 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Block Statue of the God's Father Pameniuwedja, son of Nesmin and Nestefnut by an unrecorded maker, The Metropolitan Museum of Art

Block Statue of the God's Father Pameniuwedja, son of Nesmin and Nestefnut

Unrecorded maker

4th century BCE · Diorite

Cleared · Public Domain

live
The MetSimilar
Tapestry with the Annunciation by an unrecorded maker, The Metropolitan Museum of Art

Tapestry with the Annunciation

Unrecorded maker

ca. 1410–20 · Wool warp, wool with a few metallic wefts

Cleared · Public Domain

live
The MetSimilar
Crozier Head by an unrecorded maker, The Metropolitan Museum of Art

Crozier Head

Unrecorded maker

1457 · Translucent enamels, silver, gilded silver, and niello

Cleared · Public Domain

live
The MetSimilar
Hercules, Bacchus, Pan, and another god seated on a cloud under an arch, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau by Giorgio Ghisi, The Metropolitan Museum of Art

Hercules, Bacchus, Pan, and another god seated on a cloud under an arch, an oval composition, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau

Giorgio Ghisi (d. 1582)

ca. 1560–69 · Engraving

Cleared · Public Domain

live
The MetSimilar
Pendant Design with a Sea Monster Carrying Neptune on an Urn Beside a River-God with an Oar by Adriaen Collaert, The Metropolitan Museum of Art

Pendant Design with a Sea Monster Carrying Neptune on an Urn Beside a River-God with an Oar

Adriaen Collaert (d. 1618)

1582 · Engraving; second state of two (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
God Creating Heaven and Earth, title page from "The Creation of the World" by Jan Muller, The Metropolitan Museum of Art

God Creating Heaven and Earth, title page from "The Creation of the World"

Jan Muller (d. 1628)

1589 · Engraving; New Holl.'s second state of two; framing lines in pen and dark gray ink at sheet edges

Cleared · Public Domain

live
The MetSimilar
An Allegory: Female Figure with a Compass, God the Father Seated on Clouds, and a Demon by Prospero Fontana, The Metropolitan Museum of Art

An Allegory: Female Figure with a Compass, God the Father Seated on Clouds, and a Demon

Prospero Fontana (d. 1597)

1532–97 · Pen and brown ink, brush and gray wash, over black chalk; framing lines in pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Design for a "Quarantore" Decoration by Federico Zuccaro (Zuccari), The Metropolitan Museum of Art

Design for a "Quarantore" Decoration

Federico Zuccaro (Zuccari) (d. 1609)

1540–1609 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
God the Father Seated on a Cloud, Flanked by Two Putti by Ercole Procaccini The Younger, The Metropolitan Museum of Art

God the Father Seated on a Cloud, Flanked by Two Putti

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and brown wash, over black chalk on light brown paper

Cleared · Public Domain

live
The MetSimilar
Saint Joseph Presented by the Virgin to the Holy Trinity by Corrado Giaquinto, The Metropolitan Museum of Art

Saint Joseph Presented by the Virgin to the Holy Trinity

Corrado Giaquinto (d. 1766)

ca. 1735 · Red chalk, pen and brown ink, brush and brown wash, highlighted with white

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Night in Saint-Cloud

Edvard Munch (d. 1944)

1890–1892 · Graphite

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.