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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    318 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    482 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 428 matching records exist across the two collections.

Results for "Goddess, Two Tritons, and a Putto, from"12 records

Institutions answered newest-first by record, interleaved

Head of a goddess by an unrecorded maker, The Metropolitan Museum of Art

Head of a goddess

Unrecorded maker

ca. 1299–1224 BCE · quartzite

Cleared · Public Domain

live
The MetSimilar
Terracotta statuette of an enthroned  goddess between two attendants by an unrecorded maker, The Metropolitan Museum of Art

Terracotta statuette of an enthroned goddess between two attendants

Unrecorded maker

4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Marble head of a goddess by an unrecorded maker, The Metropolitan Museum of Art

Marble head of a goddess

Unrecorded maker

2nd–1st century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Gaja Lakshmi, Goddess of Fortune by an unrecorded maker, The Metropolitan Museum of Art

Gaja Lakshmi, Goddess of Fortune

Unrecorded maker

6th century · Stone

Cleared · Public Domain

live
The MetSimilar
Goddess Gauri by an unrecorded maker, The Metropolitan Museum of Art

Goddess Gauri

Unrecorded maker

10th century · Phyllite

Cleared · Public Domain

live
The MetSimilar
The Goddess Mahasitavati, Folio from a Buddhist Manuscript by an unrecorded maker, The Metropolitan Museum of Art

The Goddess Mahasitavati, Folio from a Buddhist Manuscript

Unrecorded maker

ca. 12th century · Opaque watercolor on palm leaf

Cleared · Public Domain

live
The MetSimilar
Design for a Vessel with Two Tritons Blowing Horns and a Winged Putto on Top by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for a Vessel with Two Tritons Blowing Horns and a Winged Putto on Top

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, brush and brown wash over graphite

Cleared · Public Domain

live
The MetSimilar
Reclining putto by Andrea del Verrocchio, The Metropolitan Museum of Art

Reclining putto

Andrea del Verrocchio (d. 1488)

probably 19th century · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Flying Putto, from Diversarum Iconum...

Anton Maria Zanetti the Elder (d. 1767)

1722 · Chiaroscuro woodcut from two blocks printed in gray ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Goddess, Two Tritons, and a Putto, from Receuil de Fontaines (Collection of Fountains), plate 4

Gabriel Huquier (d. 1772)

ca. 1720–36 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Tritons and a Swan, from "Second Livre de Fontaines" (Second Book of Fountains), plate 5

Pierre Alexandre Aveline (d. 1760)

ca. 1720–36 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Tritons and a Swan, plate 5 from "Second Livre de Fontaines"

Pierre Alexandre Aveline (d. 1760)

ca. 1720–36 · Etching and engraving

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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