
Standing Uma
Unrecorded maker
ca. 975 · Stone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
138 ms. The Metropolitan Museum of Art, Collection API (Open Access)
299 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Standing Uma
Unrecorded maker
ca. 975 · Stone
Cleared · Public Domain
live
Goddess Uma
Unrecorded maker
1000s · Sculpture, gilt bronze and semiprecious stones
Cleared · CC0
live
Goddess Gauri
Unrecorded maker
10th century · Phyllite
Cleared · Public Domain
live
Goddess Holding a Lotus
Unrecorded maker
c. 950 · Sculpture, bronze
Cleared · CC0
live
Child Saint Sambandar
Unrecorded maker
late 11th century · Copper alloy
Cleared · Public Domain
live
Kubjika–Navatman
Unrecorded maker
1300s · Sculpture, Gilt bronze with semiprecious stones
Cleared · CC0
live
Seated Uma from a Group
Unrecorded maker
ca. 11th century · Bronze
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.