
King Arthur (from the Heroes Tapestries)
Unrecorded maker
ca. 1400–1410 · Wool warp, wool wefts
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
306 ms. The Metropolitan Museum of Art, Collection API (Open Access)
428 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

King Arthur (from the Heroes Tapestries)
Unrecorded maker
ca. 1400–1410 · Wool warp, wool wefts
Cleared · Public Domain
live
Hector of Troy (?) (from the Heroes Tapestries)
Unrecorded maker
ca. 1400–1410 · Wool warp, wool wefts
Cleared · Public Domain
live
Joshua and David (from the Heroes Tapestries)
Unrecorded maker
ca. 1400–1410 · Wool warp, wool wefts
Cleared · Public Domain
live
Julius Caesar (from the Heroes Tapestries)
Unrecorded maker
ca. 1400–1410 · Wool warp, wool wefts
Cleared · Public Domain
live
Godfroy de Bouillon
Colin Nouailher (d. 1571)
ca. 1541 · Painted and partly gilded enamel on copper
Cleared · Public Domain
live
Julius Caesar
Colin Nouailher (d. 1571)
probably ca. 1541 · Painted enamel on copper, partly gilt
Cleared · Public Domain
live
King Arthur
Colin Nouailher (d. 1571)
ca. 1541 · Painted and partly gilded enamel on copper
Cleared · Public Domain
live
The Crusaders Reach Jerusalem (from a set of Scenes from Gerusalemme Liberata)
Domenico Paradisi (d. 1721)
designed ca. 1689–93, woven 1732–39 · Wool, silk (16-18 warps per inch, 7 per cm.)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
King Arthur, Charlemagne and Godfrey of Bouillon, from The Nine Worthies, plate 3
Herman Müller
ca. 1567 · Engraving, first state of three (New Hollstein)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Godfrey of Bouillon from the Nine Worthies
Nicolaes de Bruyn (d. 1656)
1594 · Engraving; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Godfrey of Bouillon, from the "Nine Worthies"
Nicolaes de Bruyn (d. 1656)
1590–1656 · Engraving; with border b
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View in the East Nave; Godfrey of Bouillon, by Simonis, from "Recollections of the Great Exhibition, 1851"
John Absolon (d. 1895)
1851 · Hand-colored lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.