
Bracteate
Unrecorded maker
200–500 · Gold on copper alloy
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
638 ms. The Metropolitan Museum of Art, Collection API (Open Access)
336 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bracteate
Unrecorded maker
200–500 · Gold on copper alloy
Cleared · Public Domain
live
Bracteate with Human Head
Unrecorded maker
200–500 · Gold
Cleared · Public Domain
live
Bracteate
Unrecorded maker
6th century (?) · Gold, copper alloy core, remnants of iron pin
Cleared · Public Domain
live
Gold Bracteate
Unrecorded maker
400–600 · Gold
Cleared · Public Domain
live
Bracteate
Unrecorded maker
6th–7th century · Copper alloy, coated with gold
Cleared · Public Domain
live
Bracteate
Unrecorded maker
500–700, with later restoration · Bronze, silvered or tinned, gold, iron pin
Cleared · Public Domain
live
Bracteate Pendant
Unrecorded maker
700–800 · Gilded copper alloy
Cleared · Public Domain
live
Gold foil bracteate
Unrecorded maker
ca. 7th–9th century CE · Gold
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bracteate with Profile of Head Facing Right
Unrecorded maker
late 19th–early 20th century (Roman style) · Gold
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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