
Gold Solidus of Justinian I (527–65)
Unrecorded maker
538–565 · Gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
406 ms. The Metropolitan Museum of Art, Collection API (Open Access)
356 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Gold Solidus of Justinian I (527–65)
Unrecorded maker
538–565 · Gold
Cleared · Public Domain
live
Girdle with Coins and Medallions
Unrecorded maker
ca. 583, reassembled after discovery · Settings: gold - sheet: wire - beaded. Coins: gold - stamped.
Cleared · Public Domain
live
Toad
Unrecorded maker
possibly 16th century · Bronze
Cleared · Public Domain
live
Toad with a Young Toad on its Back
Unrecorded maker
possibly 16th century · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ȯkyeame poma (royal spokesperson's staff) with stool, chain, and crossed swords
Asante-Akan artist
ca. 1930s · Wood, gold foil
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.