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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    442 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    302 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 59 matching records exist across the two collections.

Results for "Gold pin with obsidian finial"12 records

Institutions answered newest-first by record, interleaved

Silver pin by an unrecorded maker, The Metropolitan Museum of Art

Silver pin

Unrecorded maker

2nd millennium BCE or later · Silver

Cleared · Public Domain

live
The MetSimilar
Gold pin with pomegranate head by an unrecorded maker, The Metropolitan Museum of Art

Gold pin with pomegranate head

Unrecorded maker

7th–6th century BCE · Gold, Silver

Cleared · Public Domain

live
The MetSimilar
Gold pin with pomegranate head by an unrecorded maker, The Metropolitan Museum of Art

Gold pin with pomegranate head

Unrecorded maker

7th–6th century BCE · Gold, silver

Cleared · Public Domain

live
The MetSimilar
Gold pin with bud finial by an unrecorded maker, The Metropolitan Museum of Art

Gold pin with bud finial

Unrecorded maker

early 5th century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Gold pin with obsidian finial by an unrecorded maker, The Metropolitan Museum of Art

Gold pin with obsidian finial

Unrecorded maker

ca. 1st century CE · Gold and Obsidian

Cleared · Public Domain

live
The MetSimilar
Tupu (pin) by an unrecorded maker, The Metropolitan Museum of Art

Tupu (pin)

Unrecorded maker

1400–1533 CE · Copper or alloy of copper

Cleared · Public Domain

live
The MetSimilar
The Crucifixion by an unrecorded maker, The Metropolitan Museum of Art

The Crucifixion

Unrecorded maker

first half 17th century · Gold, partly enameled, Baroque pearl

Cleared · Public Domain

live
The MetSimilar
Perfume bottle (one of six) (part of a set) by Louis Mailly, The Metropolitan Museum of Art

Perfume bottle (one of six) (part of a set)

Louis Mailly (d. 1739)

1728–30 · Rock crystal, gold

Cleared · Public Domain

live
The MetSimilar
Archeological-revival cravat pin by Castellani, The Metropolitan Museum of Art

Archeological-revival cravat pin

Castellani

ca. 1880 · Gold and steel

Cleared · Public Domain

live
The MetSimilar
Archeological-revival hat pin by Castellani, The Metropolitan Museum of Art

Archeological-revival hat pin

Castellani

ca. 1880 · Gold and steel

Cleared · Public Domain

live
The MetSimilar
Hairpin by an unrecorded maker, The Metropolitan Museum of Art

Hairpin

Unrecorded maker

19th century · Lamp-worked glass, gilt, with copper pins

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gold, silver, garnet, and pearl pin

Unrecorded maker

6th century BCE · Gold, silver,bronze,pearl,garnet

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.