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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1080 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    274 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 45 matching records exist across the two collections.

Results for "Gold ring with amethyst intaglio of quad"12 records

Institutions answered newest-first by record, interleaved

Gold ring with intaglio of a naked woman by an unrecorded maker, The Metropolitan Museum of Art

Gold ring with intaglio of a naked woman

Unrecorded maker

ca. 400–380 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Gold ring with intaglio of Kassandra by an unrecorded maker, The Metropolitan Museum of Art

Gold ring with intaglio of Kassandra

Unrecorded maker

ca. 400–380 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Gold and amethyst ring by an unrecorded maker, The Metropolitan Museum of Art

Gold and amethyst ring

Unrecorded maker

3rd–2nd century BCE · Gold, amethyst

Cleared · Public Domain

live
The MetSimilar
Gold ring with carnelian intaglio portrait of Tiberius by an unrecorded maker, The Metropolitan Museum of Art

Gold ring with carnelian intaglio portrait of Tiberius

Unrecorded maker

ca. 14–37 CE · Gold, carnelian

Cleared · Public Domain

live
The MetSimilar
Gold ring with onyx intaglio by an unrecorded maker, The Metropolitan Museum of Art

Gold ring with onyx intaglio

Unrecorded maker

late 2nd–early 3rd century CE · Onyx, gold

Cleared · Public Domain

live
The MetSimilar
Gold ring with carnelian intaglio: winged Nemesis by an unrecorded maker, The Metropolitan Museum of Art

Gold ring with carnelian intaglio: winged Nemesis

Unrecorded maker

1st–early 3rd century CE · Carnelian, gold

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Amethyst ring stone

Unrecorded maker

1st century BCE–1st century CE · Amethyst

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Amethyst ring stone in modern gold setting

Unrecorded maker

1st century BCE–1st century CE · Amethyst, gold

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gold ring set with carnelian intaglio: Head of Jupiter Ammon

Unrecorded maker

ca. 2nd–3rd century CE · Gold, carnelian

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gold ring with amethyst intaglio of quadruped

Unrecorded maker

ca. 3rd century CE · Gold, Amethyst

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gold ring with carnelian intaglio: Head of Jupiter Ammon

Unrecorded maker

3rd century CE · Carnelian, gold

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gold ring with carnelian intaglio

Unrecorded maker

3rd century CE · Carnelian, gold

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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