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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    168 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    329 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 675 matching records exist across the two collections.

Results for "Gold stater"12 records

Institutions answered newest-first by record, interleaved

Gold stater by an unrecorded maker, The Metropolitan Museum of Art

Gold stater

Unrecorded maker

ca. 560–546 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Quarter Stater: Tree (obverse); Plain Field (reverse) by an unrecorded maker, The Cleveland Museum of Art

Quarter Stater: Tree (obverse); Plain Field (reverse)

Unrecorded maker

c. 125–20 BCE · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Gold stater by an unrecorded maker, The Metropolitan Museum of Art

Gold stater

Unrecorded maker

ca. 560–546 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Stater: Head (obverse); Horse with Victory (reverse) by an unrecorded maker, The Cleveland Museum of Art

Stater: Head (obverse); Horse with Victory (reverse)

Unrecorded maker

c. 125–100 BCE · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Gold stater by an unrecorded maker, The Metropolitan Museum of Art

Gold stater

Unrecorded maker

ca. 560–546 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Stater: Plain (obverse); Horse (reverse) by an unrecorded maker, The Cleveland Museum of Art

Stater: Plain (obverse); Horse (reverse)

Unrecorded maker

c. 57–45 BCE · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Gold stater by an unrecorded maker, The Metropolitan Museum of Art

Gold stater

Unrecorded maker

ca. 560–546 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Stater: Wreath, Cloak, and Crescents (obverse); Horse and Wing Motif (reverse) by an unrecorded maker, The Cleveland Museum of Art

Stater: Wreath, Cloak, and Crescents (obverse); Horse and Wing Motif (reverse)

Unrecorded maker

c. 60–20 BCE · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Gold stater by an unrecorded maker, The Metropolitan Museum of Art

Gold stater

Unrecorded maker

ca. 330–320 BC · Gold

Cleared · Public Domain

live
The MetSimilar
Dubnovellaunos Stater: Wreath and Crescents (obverse); Horse with Branch (reverse) by an unrecorded maker, The Cleveland Museum of Art

Dubnovellaunos Stater: Wreath and Crescents (obverse); Horse with Branch (reverse)

Unrecorded maker

20 BCE–10 CE · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Gold stater by an unrecorded maker, The Metropolitan Museum of Art

Gold stater

Unrecorded maker

ca. 323/2–315 BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Stater: Head of Athena (obverse); Nike (reverse) by an unrecorded maker, The Cleveland Museum of Art

Stater: Head of Athena (obverse); Nike (reverse)

Unrecorded maker

c. 325–275 BCE · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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