
Saint Bernardino
Sano di Pietro (Ansano di Pietro di Mencio) (d. 1481)
1447? · Tempera on wood, gold ground
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
280 ms. The Metropolitan Museum of Art, Collection API (Open Access)
297 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 68 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Saint Bernardino
Sano di Pietro (Ansano di Pietro di Mencio) (d. 1481)
1447? · Tempera on wood, gold ground
Cleared · Public Domain
live
Saint Bernardino
Sano di Pietro (Ansano di Pietro di Mencio) (d. 1481)
ca. 1460–70 · Tempera and gold on wood
Cleared · Public Domain
live
The Deluge
Valentin Bousch (d. 1541)
1531 · Glass, painted and stained
Cleared · Public Domain
live
The Prophet Isaiah
Valentin Bousch (d. 1541)
1533 · Stained glass
Cleared · Public Domain
live
Account of the Three Springs of Jiangsu Province in China
Sakugen Shūryō (d. 1579)
late 16th century · Hanging scroll; ink on paper
Cleared · Public Domain
live
Snuffbox
Jean-Joseph Barrière (d. 1833)
1782 · Gold, enamel, diamonds, glass
Cleared · Public Domain
live
Head of Victory
Augustus Saint-Gaudens (d. 1907)
1897–1903; cast 1907 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cassone panel
Virgil Solis (d. 1562)
1577 · Oak
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Philip IV of Spain
Wenceslaus Hollar (d. 1677)
1652 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Chancel, First Presbyterian Church, Lake Forest, Illinois
Louis C. Tiffany (d. 1933)
1902 · Transparent and opaque watercolor, ink and graphite on collage of translucent paper and gelatin silver print and collage of paper mounted on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stomping on a Christian Icon
Kitano Tsunetomi 北野恒富 (d. 1947)
ca. 1921 · Hanging scroll; ink and color on silk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Golden Tablets
Shinoda Tōkō 篠田桃紅 (d. 2021)
2011 · Ink and gofun (ground-shell pigment) on gilded paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.