
Blackwork Print with Three Crosses and Foliate Scrolls, from a Series of Blackwork Prints for Goldsmiths' Work
Etienne Carteron (d. 1680)
1615 · Blackwork engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
669 ms. The Metropolitan Museum of Art, Collection API (Open Access)
333 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 75 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Blackwork Print with Three Crosses and Foliate Scrolls, from a Series of Blackwork Prints for Goldsmiths' Work
Etienne Carteron (d. 1680)
1615 · Blackwork engraving
Cleared · Public Domain
live
Reliquary
Unrecorded maker
early 17th century · Silver-gilt, enamel, sapphire, amethyst, rubies, diamonds
Cleared · Public Domain
live
Reliquary cross and chain
Unrecorded maker
early 17th century · Gold, diamonds, enamel
Cleared · Public Domain
live
Blackwork Designs with Flowers and Commedia dell'Arte Figures, Plate 4 from a Series of Blackwork Ornaments combined with Figures, Birds, Animals and Flowers
Meinert Gelijs
after 1622 · Blackwork and engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ornemens d'Orfevrerie Propres pour Flenques et Emailler. Cinq Desseins de Boëstes de Miroirs faits pour les Ambassadeurs de Siam, Plate 4
Paul Androuet Ducerceau (d. 1710)
17th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 4, from "New Book of All Sorts of Ornaments of Gold- and Silversmiths" (Livre Nouveau De toutes Sortes d'Ouvrages d'Orfevries)
Claude Torcheboeuf (d. 1750)
1701 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album of Ornament Prints from the Fund of Martin Engelbrecht
Martin Engelbrecht (d. 1756)
Printed ca. 1750–56 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Goldsmith's Designs for Crucifixes
Joseph Baumann (d. 1750)
1756 (before) · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Goldsmith's Designs for Crucifixes (1)
Joseph Baumann (d. 1750)
1756 (before) · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Goldsmith's Designs for Crucifixes (2)
Joseph Baumann (d. 1750)
1756 (before) · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Goldsmith's Designs for Crucifixes (3)
Joseph Baumann (d. 1750)
1756 (before) · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Goldsmith's Designs for Crucifixes (4)
Joseph Baumann (d. 1750)
1756 (before) · Etching
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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