Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
304 ms. The Metropolitan Museum of Art, Collection API (Open Access)
382 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 117 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Forty-nine scenes from the Tales of Ise
Satomura Genchin (d. 1665)
mid-17th century · Pair of six-panel folding screens, with ninety-eight paintings and poem cards (shikishi) applied to gold leaf on paper; paintings: ink and red ink on paper, text: ink on paper
Cleared · Public Domain
live
The Good God, from "The Complete Works of Béranger"
J. J. Grandville (d. 1847)
1836 · Wood engraving
Cleared · Public Domain
live
The Good Pope, from "The Complete Works of Béranger"
J. J. Grandville (d. 1847)
1836 · Wood engraving
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Air of that Land, from "Tales of the Hasidim"
Cabell Brussel (d. 2013)
1953 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Good Works, from "Tales of the Hasidim"
Cabell Brussel (d. 2013)
mid 20th century · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Heap of Cinders, from "Tales of the Hasidim"
Cabell Brussel (d. 2013)
mid 20th century · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mountain, from "Tales of the Hasidim"
Cabell Brussel (d. 2013)
mid 20th century · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Peasant at the Stream, from "Tales of the Hasidim"
Cabell Brussel (d. 2013)
mid 20th century · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Rope Dancer, from "Tales of the Hasidim"
Cabell Brussel (d. 2013)
mid 20th century · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Strength of Community, from "Tales of the Hasidim"
Cabell Brussel (d. 2013)
mid 20th century · Woodcut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.