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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    236 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    310 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 983 matching records exist across the two collections.

Results for "Gospel Book"12 records

Institutions answered newest-first by record, interleaved

The Attarouthi Treasure - Chalice by an unrecorded maker, The Metropolitan Museum of Art

The Attarouthi Treasure - Chalice

Unrecorded maker

500–650 · Silver and gilded silver

Cleared · Public Domain

live
The MetSimilar
Gospel Book with Evangelist Portraits by Master of the House-Book, The Cleveland Museum of Art

Gospel Book with Evangelist Portraits

Master of the House-Book (d. 1500)

c. 1480 · Bound Volume, ink, tempera, and gold on vellum; original blind stamped leather binding

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Attarouthi Treasure - Chalice by an unrecorded maker, The Metropolitan Museum of Art

The Attarouthi Treasure - Chalice

Unrecorded maker

500–650 · Silver and gilded silver

Cleared · Public Domain

live
The MetSimilar
Gospel Book with Commentaries by an unrecorded maker, The Cleveland Museum of Art

Gospel Book with Commentaries

Unrecorded maker

c. 1000–1100 · Bound Volume, ink, tempera, and gold on vellum; leather binding

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Gospel Book by an unrecorded maker, The Metropolitan Museum of Art

Gospel Book

Unrecorded maker

ca. 825–50 · Ink and opaque watercolor on parchment; modern leather binding

Cleared · Public Domain

live
The MetSimilar
Front Cover for a Gospel Book of French Cardinal Jean La Balou (1421–1491) by an unrecorded maker, The Cleveland Museum of Art

Front Cover for a Gospel Book of French Cardinal Jean La Balou (1421–1491)

Unrecorded maker

c. 1467–68 · Metalwork, nielloed silver plaques within gilt-silver borders

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plaque with Enthroned Virgin and Child by an unrecorded maker, The Metropolitan Museum of Art

Plaque with Enthroned Virgin and Child

Unrecorded maker

850–875 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Text, folio 11 (recto), from a Gospel Book with Commentaries by an unrecorded maker, The Cleveland Museum of Art

Text, folio 11 (recto), from a Gospel Book with Commentaries

Unrecorded maker

c. 1000–1100 · Bound Volume, ink, tempera, and gold on vellum; leather binding

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plaque with Agnus Dei on a Cross between Emblems of the Four Evangelists by an unrecorded maker, The Metropolitan Museum of Art

Plaque with Agnus Dei on a Cross between Emblems of the Four Evangelists

Unrecorded maker

1000–1050 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Text, folio 16 (verso), from a Gospel Book with Commentaries by an unrecorded maker, The Cleveland Museum of Art

Text, folio 16 (verso), from a Gospel Book with Commentaries

Unrecorded maker

c. 1000–1100 · Bound Volume, ink, tempera, and gold on vellum; leather binding

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Evangelist Saint Mark writing the Gospel with his symbol, the Lion, holding a scroll by an unrecorded maker, The Metropolitan Museum of Art

Evangelist Saint Mark writing the Gospel with his symbol, the Lion, holding a scroll

Unrecorded maker

11th century · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Text, folio 17 (recto), from a Gospel Book with Commentaries by an unrecorded maker, The Cleveland Museum of Art

Text, folio 17 (recto), from a Gospel Book with Commentaries

Unrecorded maker

c. 1000–1100 · Bound Volume, ink, tempera, and gold on vellum; leather binding

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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