
Mosaic floor with Egyptianizing scene
Unrecorded maker
ca. 130–150 CE · Stone and glass
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
405 ms. The Metropolitan Museum of Art, Collection API (Open Access)
271 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Mosaic floor with Egyptianizing scene
Unrecorded maker
ca. 130–150 CE · Stone and glass
Cleared · Public Domain
live
Allegory of Virtues and Vices at the Court of Charles V
Hans Daucher (d. 1538)
ca. 1522 · Honestone (Jurassic limestone), traces of gilding
Cleared · Public Domain
live
Study of a Figure in a Niche (Saint Ambrose; recto); Architectural Studies: Four Alternative Designs for Fictive Niches and an Unrelated Design with Garlands (verso), ca. 1560-67
Giuseppe Arcimboldo (d. 1593)
1564–65 · Pen and brown ink, brush with pale brown and purple wash, over soft black chalk (recto); pen and brown ink, some sketches over black chalk (verso)
Cleared · Public Domain
live
Great Hall within the Villa of Pope Julius, from "Speculum Romanae Magnificentiae"
Anonymous
16th century · Engraving
Cleared · Public Domain
live
I quattro libri dell'architettura di Andrea Palladio. Ne'quale dopo un breue trattato de' cinque ordini
Andrea Palladio (d. 1580)
1581 · Printed book with woodcut illustrations
Cleared · Public Domain
live
Andromeda and the Sea Monster
Domenico Guidi (d. 1701)
1694 · Marble
Cleared · Public Domain
live
Vase with cover
Longton Hall (d. 1760)
ca. 1755–1757 · Soft-paste porcelain decorated in polychrome enamels, gold
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for the Head of Julius Caesar
Andrea del Sarto (Andrea d'Agnolo) (d. 1530)
ca. 1520–21 · Red chalk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Mason Jackson (d. 1903)
1865–70 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers (d. 1893)
1860–73 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Illustrated London Almanack
Jabez Hogg (d. 1899)
1886–91 · Illustrations: wood engravings and color lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
America Today
Thomas Hart Benton (d. 1975)
1930–31 · Ten panels: Egg tempera with oil glazing over Permalba on a gesso ground on linen mounted to wood panels with a honeycomb interior
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.