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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    378 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 20 matching records exist across the two collections.

Results for "Green Parrot"11 records

Institutions answered newest-first by record, interleaved

Parrot on a Perch by House of Fabergé, The Cleveland Museum of Art

Parrot on a Perch

House of Fabergé (d. 1918)

1896–1903 · Miscellaneous, silver, enamel, jasper, agate, emeralds

Cleared · CC0

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Cleveland Museum of ArtSimilar
Parrot from the Parrot on a Perch by Mikhail Evlampievich Perkhin, The Cleveland Museum of Art

Parrot from the Parrot on a Perch

Mikhail Evlampievich Perkhin (d. 1903)

1896–1903 · Miscellaneous, jasper, agate, emeralds

Cleared · CC0

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Cleveland Museum of ArtSimilar
Perch for the Parrot on a Perch by Mikhail Evlampievich Perkhin, The Cleveland Museum of Art

Perch for the Parrot on a Perch

Mikhail Evlampievich Perkhin (d. 1903)

1896–1903 · Miscellaneous, Silver, enamel

Cleared · CC0

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Cleveland Museum of ArtSimilar
Parrot by Zsolnay Factory, The Cleveland Museum of Art

Parrot

Zsolnay Factory

c. 1910 · Ceramic, earthenware with lustre glazes

Cleared · CC0

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Cleveland Museum of ArtSimilar
Green Parrot by an unrecorded maker, The Cleveland Museum of Art

Green Parrot

Unrecorded maker

c. 1820 · Painting, Gum tempera on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
The marriage of ‘Ubaid, son of a merchant of Tirmiz, from a Tuti-nama (Tales of a Parrot): Forty-second Night by an unrecorded maker, The Cleveland Museum of Art

The marriage of ‘Ubaid, son of a merchant of Tirmiz, from a Tuti-nama (Tales of a Parrot): Forty-second Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night by an unrecorded maker, The Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Parrot Addresses Khujasta at the Beginning of the Nineteenth Night, from a Tuti-nama (Tales of a Parrot) by an unrecorded maker, The Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Nineteenth Night, from a Tuti-nama (Tales of a Parrot)

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The parrot brings a fruit from the Tree of Life to the king of Syria, from a Tuti-nama (Tales of a Parrot): Ninth Night by Lalu, The Cleveland Museum of Art

The parrot brings a fruit from the Tree of Life to the king of Syria, from a Tuti-nama (Tales of a Parrot): Ninth Night

Lalu

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night by Basavana, The Cleveland Museum of Art

The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night

Basavana (d. 1600)

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The parrot addresses Khujasta at the beginning of the fortieth night, from a Tuti-nama (Tales of a Parrot) by an unrecorded maker, The Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the fortieth night, from a Tuti-nama (Tales of a Parrot)

Unrecorded maker

c. 1560 · Painting, gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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