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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    364 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    12 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "Grinling Gibbons"12 records

Institutions answered newest-first by record, interleaved

Gros point needle lace border by an unrecorded maker, The Metropolitan Museum of Art

Gros point needle lace border

Unrecorded maker

third quarter 17th century · Needle lace, gros point lace

Cleared · Public Domain

live
The MetSimilar
Overmantel Decoration by Grinling Gibbons, The Cleveland Museum of Art

Overmantel Decoration

Grinling Gibbons (d. 1721)

c. 1675–77 · Sculpture, lindenwood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Part of a carving from an overmantel (five parts) by Grinling Gibbons, The Metropolitan Museum of Art

Part of a carving from an overmantel (five parts)

Grinling Gibbons (d. 1721)

ca. 1675 · Carved and gilded oak

Cleared · Public Domain

live
The MetSimilar
Carving from an Overmantel by Grinling Gibbons, The Cleveland Museum of Art

Carving from an Overmantel

Grinling Gibbons (d. 1721)

c. 1675–1677 · Sculpture, lindenwood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Staircase from Cassiobury Park, Hertfordshire by Edward Pearce, The Metropolitan Museum of Art

Staircase from Cassiobury Park, Hertfordshire

Edward Pearce (d. 1695)

ca. 1677–80 · Risers, treads: oak; balustrade friezes, finials: elm; newel posts, stringers, skirting, baluster bases, balusters, handrails: pine

Cleared · Public Domain

live
The MetSimilar
Carving from an Overmantel by Grinling Gibbons, The Cleveland Museum of Art

Carving from an Overmantel

Grinling Gibbons (d. 1721)

c. 1675–1677 · Sculpture, lindenwood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Design for a Carved Mirror Frame (right side only) by Anonymous, British, 17th century, The Metropolitan Museum of Art

Design for a Carved Mirror Frame (right side only)

Anonymous, British, 17th century (d. 1700)

ca. 1675–85 · Pen and ink, brush and wash

Cleared · Public Domain

live
The MetSimilar
Carving from an Overmantel by Grinling Gibbons, The Cleveland Museum of Art

Carving from an Overmantel

Grinling Gibbons (d. 1721)

c. 1675–1677 · Sculpture, lindenwood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Grinling Gibbons by Sir Godfrey Kneller, The Metropolitan Museum of Art

Grinling Gibbons

Sir Godfrey Kneller (d. 1723)

1690 · Mezzotint

Cleared · Public Domain

live
The MetSimilar
Carving from an Overmantel by Grinling Gibbons, The Cleveland Museum of Art

Carving from an Overmantel

Grinling Gibbons (d. 1721)

c. 1675–1677 · Sculpture, lindenwood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from Aedes Walpolianae mounted with a print and a drawing (a): Portrait of Grinling Gibbons; (b) Chimney to the Parlour, Houghton Hall, Norfolk by John Smith, The Metropolitan Museum of Art

Leaf from Aedes Walpolianae mounted with a print and a drawing (a): Portrait of Grinling Gibbons; (b) Chimney to the Parlour, Houghton Hall, Norfolk

John Smith (d. 1743)

1690–1735 · Mezzotint (recto); pen and black ink, brush gray wash (verso)

Cleared · Public Domain

live
The MetSimilar
Carving from an Overmantel by Grinling Gibbons, The Cleveland Museum of Art

Carving from an Overmantel

Grinling Gibbons (d. 1721)

c. 1675–1677 · Sculpture, lindenwood

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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