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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    217 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    284 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 208 matching records exist across the two collections.

Results for "Grotesque Panel, Plate 5"12 records

Institutions answered newest-first by record, interleaved

Plate 5, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie" by Alexis Loir, The Metropolitan Museum of Art

Plate 5, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"

Alexis Loir (d. 1713)

1660–1713 · Etching

Cleared · Public Domain

live
The MetSimilar
Grotesque Borders for Rooms & Screens, Extravaganzas Plate 5 by Thomas Rowlandson, The Metropolitan Museum of Art

Grotesque Borders for Rooms & Screens, Extravaganzas Plate 5

Thomas Rowlandson (d. 1827)

April 30, 1799 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grotesque Panel, Plate 5

Jacques Androuet Du Cerceau (d. 1585)

1540–85 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grotesque Panel, Plate 6

Jacques Androuet Du Cerceau (d. 1585)

1540–85 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grotesque Panel, Plate 7

Jacques Androuet Du Cerceau (d. 1585)

1540–85 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grotesque Panel, Plate 8

Jacques Androuet Du Cerceau (d. 1585)

1540–85 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grotesque Panel, Plate 9

Jacques Androuet Du Cerceau (d. 1585)

1540–85 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grotesque Panel, Plate 9

Jacques Androuet Du Cerceau (d. 1585)

1540–85 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Twelve Grotesque Figures (Months of the Year), Plate 5 (September)

Denis Boutemie (d. 1636)

ca. 1638 · Etching, state 1 of 3

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 5: Ornamental Panel

Catharina Hecklin (d. 1800)

1712 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Vessels, ornaments, etc.], Plate 5

Jean Bernard Toro (d. 1731)

before 1731 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 5: grotesque wall decorations, after Raphael's Loggia of the Vatican

Carlo Lasinio (d. 1838)

ca. 1802 · Etching and engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.