
Plate 5, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"
Alexis Loir (d. 1713)
1660–1713 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
217 ms. The Metropolitan Museum of Art, Collection API (Open Access)
284 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 208 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Plate 5, from "Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d'Orfeurerie"
Alexis Loir (d. 1713)
1660–1713 · Etching
Cleared · Public Domain
live
Grotesque Borders for Rooms & Screens, Extravaganzas Plate 5
Thomas Rowlandson (d. 1827)
April 30, 1799 · Hand-colored etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Grotesque Panel, Plate 5
Jacques Androuet Du Cerceau (d. 1585)
1540–85 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Grotesque Panel, Plate 6
Jacques Androuet Du Cerceau (d. 1585)
1540–85 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Grotesque Panel, Plate 7
Jacques Androuet Du Cerceau (d. 1585)
1540–85 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Grotesque Panel, Plate 8
Jacques Androuet Du Cerceau (d. 1585)
1540–85 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Grotesque Panel, Plate 9
Jacques Androuet Du Cerceau (d. 1585)
1540–85 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Grotesque Panel, Plate 9
Jacques Androuet Du Cerceau (d. 1585)
1540–85 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Twelve Grotesque Figures (Months of the Year), Plate 5 (September)
Denis Boutemie (d. 1636)
ca. 1638 · Etching, state 1 of 3
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5: Ornamental Panel
Catharina Hecklin (d. 1800)
1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Vessels, ornaments, etc.], Plate 5
Jean Bernard Toro (d. 1731)
before 1731 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5: grotesque wall decorations, after Raphael's Loggia of the Vatican
Carlo Lasinio (d. 1838)
ca. 1802 · Etching and engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.