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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    408 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    323 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 187 matching records exist across the two collections.

Results for "Grotesque Panel, Plate 9"12 records

Institutions answered newest-first by record, interleaved

Panel from an Ivory Casket with Scenes of the Story of Joshua by an unrecorded maker, The Metropolitan Museum of Art

Panel from an Ivory Casket with Scenes of the Story of Joshua

Unrecorded maker

900–1000 · Elephant ivory, traces of polychromy

Cleared · Public Domain

live
The MetSimilar
Title Plate, from "Quinque Sensuum" by Franz Cleyn, The Metropolitan Museum of Art

Title Plate, from "Quinque Sensuum"

Franz Cleyn (d. 1658)

ca. 1655 · Engraving

Cleared · Public Domain

live
The MetSimilar
Interior Ornamented Wall with Doors, nos. 228–239, plate 42 from "Designs for Various Ornaments" by Michelangelo Pergolesi, The Metropolitan Museum of Art

Interior Ornamented Wall with Doors, nos. 228–239, plate 42 from "Designs for Various Ornaments"

Michelangelo Pergolesi (d. 1801)

July 17, 1791 · Etching

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grotesque Panel, Plate 5

Jacques Androuet Du Cerceau (d. 1585)

1540–85 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grotesque Panel, Plate 6

Jacques Androuet Du Cerceau (d. 1585)

1540–85 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grotesque Panel, Plate 7

Jacques Androuet Du Cerceau (d. 1585)

1540–85 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grotesque Panel, Plate 8

Jacques Androuet Du Cerceau (d. 1585)

1540–85 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grotesque Panel, Plate 9

Jacques Androuet Du Cerceau (d. 1585)

1540–85 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grotesque Panel, Plate 9

Jacques Androuet Du Cerceau (d. 1585)

1540–85 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Twelve Grotesque Figures (Months of the Year), Plate 9 (August)

Denis Boutemie (d. 1636)

ca. 1638 · Etching, state 1 of 3

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plate 2, from "Livre Nouveau de Lambris"

Francois de Poilly (d. 1693)

before 1693 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Plate with an Ornamental Panel Flanked by Female Busts atop Ionic Columns, from Second Liure d'Ornements, part of Œuvres du Sr. D. Marot

Daniel Marot the Elder (d. 1752)

1702 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.