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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    216 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    874 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 861 matching records exist across the two collections.

Results for "Group of Armed Men (copy)"12 records

Institutions answered newest-first by record, interleaved

Terracotta neck-amphora (jar) by Princeton Group, The Metropolitan Museum of Art

Terracotta neck-amphora (jar)

Princeton Group

ca. 540–530 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta neck-amphora (jar) by Group of Toronto 305, The Metropolitan Museum of Art

Terracotta neck-amphora (jar)

Group of Toronto 305

last quarter of 6th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Marble Statue Group of the Three Graces by an unrecorded maker, The Metropolitan Museum of Art

Marble Statue Group of the Three Graces

Unrecorded maker

2nd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
White Lotus Society by Unidentified artist, The Metropolitan Museum of Art

White Lotus Society

Unidentified artist

15th century · Handscroll; ink on paper

Cleared · Public Domain

live
The MetSimilar
Group of Armed Men (copy) by Lucas van Leyden, The Metropolitan Museum of Art

Group of Armed Men (copy)

Lucas van Leyden (d. 1533)

n.d. · Engraving

Cleared · Public Domain

live
The MetSimilar
A Sale of English-Beauties in the East Indies by Thomas Rowlandson, The Metropolitan Museum of Art

A Sale of English-Beauties in the East Indies

Thomas Rowlandson (d. 1827)

[May 10, 1811], reprint · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
A Sale of English-Beauties in the East Indies by Thomas Rowlandson, The Metropolitan Museum of Art

A Sale of English-Beauties in the East Indies

Thomas Rowlandson (d. 1827)

[May 10, 1811], reprint · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Disturbers of Domestic Happiness by Thomas Rowlandson, The Metropolitan Museum of Art

Disturbers of Domestic Happiness

Thomas Rowlandson (d. 1827)

ca. 1815 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
A standoff between an unarmed soldier and a group of armed soldiers by José Guadalupe Posada, The Metropolitan Museum of Art

A standoff between an unarmed soldier and a group of armed soldiers

José Guadalupe Posada (d. 1913)

ca. 1880–1910 (a later impression) · Zincograph

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Capture of a Highwayman

Thomas Rowlandson (d. 1827)

1770–1827 · Pen and gray and brown ink, watercolor, over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Prison Work Crew (ca. 9 Members) Digging Trench and 1 Guard]

Doris Ulmann (d. 1934)

1929–30, printed 1934 · Photogravure from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Copy of Newspaper File Photograph: Crowd Scene with Armed Men in Foreground, Outside Building, Probably Havana]

Walker Evans (d. 1975)

1933 · Film negative

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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