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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    343 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Group of Draped Figures"9 records

Institutions answered newest-first by record, interleaved

Red-Figure Bail Amphora (Storage Vessel): Draped Women by CA Painter, Walters Sub-group, The Cleveland Museum of Art

Red-Figure Bail Amphora (Storage Vessel): Draped Women

CA Painter, Walters Sub-group

330–320 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Black-Figure Lekythos (Oil Vessel): Komos (Revel) by The Group of Cleveland 16.1061, The Cleveland Museum of Art

Black-Figure Lekythos (Oil Vessel): Komos (Revel)

The Group of Cleveland 16.1061

c. 500 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A Spring Shower by Giovanni Domenico Tiepolo, The Cleveland Museum of Art

A Spring Shower

Giovanni Domenico Tiepolo (d. 1804)

1797–1804 · Drawing, pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphite on antique laid paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Black-Figure Lekythos (Oil Vessel): Pan Presenting Hare to Woman by Asteas/Python Workshop, The Cleveland Museum of Art

Black-Figure Lekythos (Oil Vessel): Pan Presenting Hare to Woman

Asteas/Python Workshop

c. 330–320 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Royal Female Donor by an unrecorded maker, The Cleveland Museum of Art

Royal Female Donor

Unrecorded maker

c. 1500 · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Vima Kadphises (reverse) by an unrecorded maker, The Cleveland Museum of Art

Vima Kadphises (reverse)

Unrecorded maker

50–78 CE · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Coin of Kushan King Vima Kadphises by an unrecorded maker, The Cleveland Museum of Art

Coin of Kushan King Vima Kadphises

Unrecorded maker

100–200s CE · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cameo, No. 1 (Mother and Child) by James McNeill Whistler, The Cleveland Museum of Art

Cameo, No. 1 (Mother and Child)

James McNeill Whistler (d. 1903)

c. 1890–93 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Crucified Christ by an unrecorded maker, The Cleveland Museum of Art

Crucified Christ

Unrecorded maker

c. 1340–1350 · Sculpture, wood (walnut) once polychromed

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.