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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    301 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    342 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6,291 matching records exist across the two collections.

Results for "Group of Four Standing and Seated Figure"11 records

Institutions answered newest-first by record, interleaved

Seated Figure by an unrecorded maker, The Metropolitan Museum of Art

Seated Figure

Unrecorded maker

12th–9th century BCE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Seated figure by Mezcala artist(s), The Metropolitan Museum of Art

Seated figure

Mezcala artist(s)

300 BCE–300 CE · Stone

Cleared · Public Domain

live
The MetSimilar
Four Saints (recto); Two Saints, Seated Madonna, and Kneeling Figure (verso) by Anonymous, Italian, probably Umbrian, 14th century, The Metropolitan Museum of Art

Four Saints (recto); Two Saints, Seated Madonna, and Kneeling Figure (verso)

Anonymous, Italian, probably Umbrian, 14th century (d. 1400)

1375–1400 · Pen and brown ink, highlighted with white gouache

Cleared · Public Domain

live
The MetSimilar
Standing and Seated Figures by Francesco Curia, The Metropolitan Museum of Art

Standing and Seated Figures

Francesco Curia (d. 1608)

1565–1608 · Pen and brown ink.

Cleared · Public Domain

live
The MetSimilar
Group of Standing and Seated Female Figures (recto); Costumed Female Figure (verso) by Francesco Allegrini, The Metropolitan Museum of Art

Group of Standing and Seated Female Figures (recto); Costumed Female Figure (verso)

Francesco Allegrini (d. 1679)

1624–63 · Red chalk (recto). Pen and brown ink sketch of a costumed female figure (verso)

Cleared · Public Domain

live
The MetSimilar
Figure studies: seated and standing men by Salvator Rosa, The Metropolitan Museum of Art

Figure studies: seated and standing men

Salvator Rosa (d. 1673)

1615–73 · Pen and brown ink, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Figure Studies:  Two Standing and Two Seated Men by Micco Spadaro (Domenico Gargiulo), The Metropolitan Museum of Art

Figure Studies: Two Standing and Two Seated Men

Micco Spadaro (Domenico Gargiulo) (d. 1675)

1609/10–?1675 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Group of Four Standing and Seated Figures and a Child by Ercole Procaccini The Younger, The Metropolitan Museum of Art

Group of Four Standing and Seated Figures and a Child

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and brown wash, over red chalk, highlighted with white gouache, on blue paper faded to gray-brown

Cleared · Public Domain

live
The MetSimilar
Standing Figure of Prudence and a Seated River God by Giovanni Battista Tiepolo, The Metropolitan Museum of Art

Standing Figure of Prudence and a Seated River God

Giovanni Battista Tiepolo (d. 1770)

1696–1770 · Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Standing Figure

Jean Hélion (d. 1987)

1936 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Darkened Room with Standing Figure and Seated Figure]

Ralph Eugene Meatyard (d. 1972)

1963 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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