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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    434 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    654 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9,236 matching records exist across the two collections.

Results for "Group of Goats"12 records

Institutions answered newest-first by record, interleaved

Relief of goats by an unrecorded maker, The Metropolitan Museum of Art

Relief of goats

Unrecorded maker

330 · Bronze

Cleared · Public Domain

live
The MetSimilar
Red-Figure Situla (Deep Bucket): Bellerophon Slaying Chimaera (A); Dionysos, Maenads, Eros (B) by Group of the Dublin Situlae, The Cleveland Museum of Art

Red-Figure Situla (Deep Bucket): Bellerophon Slaying Chimaera (A); Dionysos, Maenads, Eros (B)

Group of the Dublin Situlae

c. 350 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Goats and a Shepherdess Winding Skeins by Pieter van Laer, called Il Bamboccio, The Metropolitan Museum of Art

Goats and a Shepherdess Winding Skeins

Pieter van Laer, called Il Bamboccio (d. 1643)

1636 · Etching; first state of two (Hollstein)

Cleared · Public Domain

live
The MetSimilar
Dancing Satyr Group by an unrecorded maker, The Cleveland Museum of Art

Dancing Satyr Group

Unrecorded maker

500–475 BCE · Sculpture, painted terracotta

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Four Goats (Left Section of The Goats) by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

Four Goats (Left Section of The Goats)

Claude Lorrain (Claude Gellée) (d. 1682)

ca. 1630–33 · Etching; second state of four (Mannocci)

Cleared · Public Domain

live
The MetSimilar
Nanny Goat by an unrecorded maker, The Cleveland Museum of Art

Nanny Goat

Unrecorded maker

late 200s BCE · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Four Goats (Left Section of The Goats) by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

Four Goats (Left Section of The Goats)

Claude Lorrain (Claude Gellée) (d. 1682)

ca. 1630–33 · Etching; second state of four (Mannocci)

Cleared · Public Domain

live
The MetSimilar
Bacchanal by Pietro da Cortona, The Cleveland Museum of Art

Bacchanal

Pietro da Cortona (d. 1669)

mid-1600s · Drawing, pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Pair of goats by Anthoni Pennis, The Metropolitan Museum of Art

Pair of goats

Anthoni Pennis

1759–82 · Tin-glazed earthenware

Cleared · Public Domain

live
The MetSimilar
The Sleeping Faun by Harriet Goodhue Hosmer, The Cleveland Museum of Art

The Sleeping Faun

Harriet Goodhue Hosmer (d. 1908)

modeled 1864, carved c. 1870 · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Group of Goats by an unrecorded maker, The Metropolitan Museum of Art

Group of Goats

Unrecorded maker

18th century · Calcified jade

Cleared · Public Domain

live
The MetSimilar
Black-Figure Lekythos (Oil Vessel): Pan Presenting Hare to Woman by Asteas/Python Workshop, The Cleveland Museum of Art

Black-Figure Lekythos (Oil Vessel): Pan Presenting Hare to Woman

Asteas/Python Workshop

c. 330–320 BCE · Ceramic, ceramic

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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