Right corner of a marble sarcophagus with the myth of Apollo and the satyr Marsyas
Unrecorded maker
ca. 210–230 CE · Marble
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
477 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
321 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 562 matching records exist across the two collections.
Results for "Group of Vignettes copied from the Vatic"11 records
Institutions answered newest-first by record, interleaved
Right corner of a sarcophagus with the myth of the musical contest between the satyr Marsyas and the god Apollo
Unrecorded maker
ca. 210–230 CE · Marble
Cleared · Public Domain
liveThe MetSimilar
A Sacrifice, copied from a relief on Trajan's Column, from "Speculum Romanae Magnificentiae"
Léon Davent (d. 1556)
1565 · Etching
Cleared · Public Domain
liveThe MetSimilar
Parrot group
Meissen Manufactory (d. 9999)
1745 · Hard-paste porcelain
Cleared · Public Domain
liveThe MetSimilar
Snuffbox from the so-called "Honeysuckle Group"
Unrecorded maker
ca. 1760 · Enamel on copper
Cleared · Public Domain
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Group of Vignettes copied from the Vatican Loggias
Anonymous, French, 18th century (d. 1800)
ca. 1770-80 · Pen and ink with grey and brown wash over partial blind ruling
Cleared · Public Domain
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Group of rustic figures
Unrecorded maker
18th century · Polychromed wood, gesso and stiffened cloth
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of Design for a Vase with a Bacchanal Bas-Relief, from Vasses de la Maison Royalle de L'oo
Daniel Marot the Elder (d. 1752)
after 1703 · Engraving, etching in red-brown ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of Design for a Vase with Britannia, from Vasses de la Maison Royalle de L'oo
Daniel Marot the Elder (d. 1752)
after 1703 · Engraving, etching in red-brown ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of Design for a Vase with the Crowned Escutcheon of Great Britain, from Vasses de la Maison Royalle de L'oo
Daniel Marot the Elder (d. 1752)
after 1703 · Engraving, etching in red-brown ink
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Copy of Design for a Vase with the Triumph of Amphitrite, from Vasses de la Maison Royalle de L'oo
Daniel Marot the Elder (d. 1752)
after 1703 · Engraving, etching in red-brown ink
In copyright
liveThe MetSimilar
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