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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    334 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Guinea: George III (obverse)"8 records

Institutions answered newest-first by record, interleaved

Guinea: George III (obverse); Shield of Arms (reverse) by Richard Yeo, The Cleveland Museum of Art

Guinea: George III (obverse); Shield of Arms (reverse)

Richard Yeo (d. 1779)

1761 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Two Guinea Piece: George III (obverse); Shield of Arms (reverse) by John Sigismund Tanner, The Cleveland Museum of Art

Two Guinea Piece: George III (obverse); Shield of Arms (reverse)

John Sigismund Tanner (d. 1775)

1773 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Sovereign: George III (obverse); St. George and the Dragon (reverse) by Benedetto Pistrucci, The Cleveland Museum of Art

Sovereign: George III (obverse); St. George and the Dragon (reverse)

Benedetto Pistrucci (d. 1855)

1817 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Five Guineas: George III (obverse); Shield of Arms (reverse) by Richard Yeo, The Cleveland Museum of Art

Five Guineas: George III (obverse); Shield of Arms (reverse)

Richard Yeo (d. 1779)

1777 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Five Guineas: George I (obverse); Shields and Star of the Order of the Garter (reverse) by an unrecorded maker, The Cleveland Museum of Art

Five Guineas: George I (obverse); Shields and Star of the Order of the Garter (reverse)

Unrecorded maker

1716 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Guinea: George III (obverse) by Richard Yeo, The Cleveland Museum of Art

Guinea: George III (obverse)

Richard Yeo (d. 1779)

1761 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Two Guinea Piece: George III (obverse) by John Sigismund Tanner, The Cleveland Museum of Art

Two Guinea Piece: George III (obverse)

John Sigismund Tanner (d. 1775)

1773 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Five Guineas: George III (obverse) by Richard Yeo, The Cleveland Museum of Art

Five Guineas: George III (obverse)

Richard Yeo (d. 1779)

1777 · Coins, gold

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.