Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    342 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    374 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 22 matching records exist across the two collections.

Results for "HARPERS/ FERRY./ U.S."11 records

Institutions answered newest-first by record, interleaved

A View of the Potomac at Harpers Ferry by Pavel Petrovich Svinin, The Metropolitan Museum of Art

A View of the Potomac at Harpers Ferry

Pavel Petrovich Svinin (d. 1839)

1811–ca. 1813 · Watercolor and gouache on white laid paper

Cleared · Public Domain

live
The MetSimilar
[Camp Scene with Soldiers of the 22nd New York State Militia, Harper's Ferry, Virginia] by Mathew B. Brady, The Metropolitan Museum of Art

[Camp Scene with Soldiers of the 22nd New York State Militia, Harper's Ferry, Virginia]

Mathew B. Brady (d. 1896)

1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
The Last Moments of John Brown by Thomas Hovenden, The Metropolitan Museum of Art

The Last Moments of John Brown

Thomas Hovenden (d. 1895)

1882–84 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Harpers Fähre (Harper's Ferry, West Virginia)

Albert Henry Payne (d. 1902)

ca. 1850 · Steel engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

THE VALLEY OF / SHENANDOAH FROM / JEFFERSONS ROCK.

William Ridgway & Co. (d. 1854)

ca. 1840–ca. 1854 · Earthenware, transfer-printed

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of Harper's Ferry, Virginia (from the Potomac Side)

Currier & Ives (d. 1907)

1857–60 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

HARPERS/ FERRY./ U.S.

William Adams & Sons (d. 2063)

ca. 1834–ca. 1864 · Earthenware, transfer-printed

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Three Gringos in Central America and Venezuela by Richard Harding Davis

Edward Penfield (d. 1925)

1896 · Relief

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

John Brown

Charles Wilbert White (d. 1979)

1949 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Francis Brunn and Sister, New York

Leslie Gill (d. 1958)

1950 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Glover's Amphibians" Ferry, from the "U.S. Navy Victories" series (R701-16), issued by Bowman Gum Company

Bowman Gum Company (d. 1999)

1954 · Commercial color lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.