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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    291 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    253 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Habit de Roy: a man wearing a tonnelet d"12 records

Institutions answered newest-first by record, interleaved

Kneeling bearded figure by Olmec artist(s), The Metropolitan Museum of Art

Kneeling bearded figure

Olmec artist(s)

900–400 BCE · Serpentine, pigment

Cleared · Public Domain

live
The MetSimilar
Cœnotaphiorum (6) by Hans Vredeman de Vries, The Metropolitan Museum of Art

Cœnotaphiorum (6)

Hans Vredeman de Vries (d. 1606)

1563 · Etching; first state of four

Cleared · Public Domain

live
The MetSimilar
Habit d'Ixion: a man wearing a tonnelet with a sword in the belt, a turban with one large feather on his head, from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies) by François Joullain, The Metropolitan Museum of Art

Habit d'Ixion: a man wearing a tonnelet with a sword in the belt, a turban with one large feather on his head, from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)

François Joullain (d. 1778)

ca. 1721 · Etching

Cleared · Public Domain

live
The MetSimilar
Habit de Faune: a faun wearing a tonnelet with a flute attached, a cane in his right hand and vines around his horns, from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies) by François Joullain, The Metropolitan Museum of Art

Habit de Faune: a faun wearing a tonnelet with a flute attached, a cane in his right hand and vines around his horns, from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)

François Joullain (d. 1778)

ca. 1721 · Etching

Cleared · Public Domain

live
The MetSimilar
Habit de Roy: a man wearing a tonnelet decorated with rosettes, a crown and a turban with feathers on his head, from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies) by François Joullain, The Metropolitan Museum of Art

Habit de Roy: a man wearing a tonnelet decorated with rosettes, a crown and a turban with feathers on his head, from "New designs for costumes" (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)

François Joullain (d. 1778)

ca. 1721 · Etching

Cleared · Public Domain

live
The MetSimilar
Mantel clock (pendule de chiminée) by Paul Gudin Le Jeune, The Metropolitan Museum of Art

Mantel clock (pendule de chiminée)

Paul Gudin Le Jeune (d. 1755)

clock ca. 1750, figures decorated ca. 1737/38 · Case: hard-paste and soft-paste porcelain, with gilded-bronze mounts; Dial: white enamel with blue numerals for hours and blue numerals for minutes; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
He Wakes Up Kicking; a man on the floor kicking his legs after waking from a nightmare; page 13 from the "Witches and Old Women" Album (D) by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

He Wakes Up Kicking; a man on the floor kicking his legs after waking from a nightmare; page 13 from the "Witches and Old Women" Album (D)

Goya (Francisco de Goya y Lucientes) (d. 1828)

ca. 1819–23 · Brush, carbon black and gray ink and wash, touches of black chalk, scraper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wenceslai ordo albatus; Frater D. Jacobi pullo Vestitu in quo est conchae species intra quam pectem piscis habitarit; Nullatus ordo tunico & cuculione altri coloris; D. Jacobi ordo ensiser extima Veste albatus interiore atricolor

Abraham de Bruyn (d. 1587)

1581 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Equestrian Portrait of Louis de Lorraine, Prince of Phalsbourg

Jacques Callot (d. 1635)

ca. 1624 · Brush and brown wash over black chalk; the outlines of the horse and rider are pricked for transfer and partially indented

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Costume of an Indian from the Ballet "Triumph of Love" (Habit d'Indiens du balet du Triomphe de l'Amour)

Jean Berain (d. 1711)

ca. 1681 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873

Dalziel Brothers (d. 1893)

1860–73 · Wood engraving

In copyright

live
The MetSimilar

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