
Headdress Ornament
Unrecorded maker
200–600 CE · Gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
267 ms. The Metropolitan Museum of Art, Collection API (Open Access)
238 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,252 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Headdress Ornament
Unrecorded maker
200–600 CE · Gold
Cleared · Public Domain
live
Headdress ornament
Calima (Yotoco) artist
100 BCE–700 CE · Gold
Cleared · Public Domain
live
Headdress ornament
Nasca artist(s)
1–700 CE · Gold
Cleared · Public Domain
live
Headdress Ornament
Unrecorded maker
1st–7th century · Gold
Cleared · Public Domain
live
Headdress Ornament
Unrecorded maker
7th–12th century · Gold alloy
Cleared · Public Domain
live
Headdress Ornament
Unrecorded maker
19th century · Enamel, gold-sheet, pearls, and semi-precious stones
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hair Ornament
Unrecorded maker
12th century · Sheet gold decorated in repoussé with twisted wires
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hair Ornament
Unrecorded maker
12th century · Sheet gold decorated in repoussé with twisted wires
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hair Ornament
Louis C. Tiffany (d. 1933)
ca. 1904 · Gold, silver, platinum, black opals, boulder opals, demantoid garnets, rubies, enamel.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hair / Headdress Ornament
Unrecorded maker
19th–early 20th century · Silver, traces of enamel
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Headdress Ornament
Unrecorded maker
late 19th–early 20th century · Silver; fire gilded with spherical beads and silver links, cabochon-cut carnelians and turquoise beads
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hair Ornament
Unrecorded maker
late 19th–early 20th century · Wood, paint, fiber
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.