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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    627 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    338 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Half Guinea: Anne (obverse); Shields and"11 records

Institutions answered newest-first by record, interleaved

Terracotta fragment of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a kylix (drinking cup)

Unrecorded maker

second quarter of the 5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Half Guinea: Anne (obverse); Shields and Rose (reverse) by an unrecorded maker, The Cleveland Museum of Art

Half Guinea: Anne (obverse); Shields and Rose (reverse)

Unrecorded maker

1703 · Coins, gold

Cleared · CC0

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Cleveland Museum of ArtSimilar
Ear Ornament by an unrecorded maker, The Metropolitan Museum of Art

Ear Ornament

Unrecorded maker

1–1000 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Ear Ornament by an unrecorded maker, The Metropolitan Museum of Art

Ear Ornament

Unrecorded maker

1–1000 CE · Gold

Cleared · Public Domain

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The MetSimilar
Figurine by Wari artist(s), The Metropolitan Museum of Art

Figurine

Wari artist(s)

650–1000 CE · Turquoise

Cleared · Public Domain

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The MetSimilar
Sword Pommel by an unrecorded maker, The Metropolitan Museum of Art

Sword Pommel

Unrecorded maker

12th–13th century · Copper alloy, enamel

Cleared · Public Domain

live
The MetSimilar
Pair of Ear Ornaments by an unrecorded maker, The Metropolitan Museum of Art

Pair of Ear Ornaments

Unrecorded maker

1000–1500 CE · Gold

Cleared · Public Domain

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The MetSimilar
Figure Pendant by an unrecorded maker, The Metropolitan Museum of Art

Figure Pendant

Unrecorded maker

6th–16th century CE · Gold alloy

Cleared · Public Domain

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The MetSimilar
Half guinea of Queen Anne by John Croker, The Metropolitan Museum of Art

Half guinea of Queen Anne

John Croker (d. 1741)

1711 · Gold

Cleared · Public Domain

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The MetSimilar
Pair of verrières by an unrecorded maker, The Metropolitan Museum of Art

Pair of verrières

Unrecorded maker

ca. 1775 · Sheffield plate

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Shield and Boats

Emilio Monti (d. 1981)

1936 · Struck medal of copper alloy with reddish brown patina.

In copyright

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.