
Flintlock Pistol
John Hall (d. 1800)
ca. 1771–72 · Steel, wood (walnut), brass, silver
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
225 ms. The Metropolitan Museum of Art, Collection API (Open Access)
278 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 91 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Flintlock Pistol
John Hall (d. 1800)
ca. 1771–72 · Steel, wood (walnut), brass, silver
Cleared · Public Domain
live
The Bard
John Hall (d. 1797)
1784 · Etching and engraving
Cleared · Public Domain
live
The Hell Courtesan
Utagawa Kunisada II (d. 1880)
late 1850s · Hanging scroll; ink and color on silk
Cleared · Public Domain
live
Scenes of the Buddhist Hell
Shōsai 松斎 (d. 1899)
second half 19th century · Hanging scroll; ink and color on silk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hell Gate from Great Barn Island
Archibald L. Dick (d. 1855)
1835 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Book of British Ballads, Vol. 1
Samuel Carter Hall (d. 1889)
1847 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Book of British Ballads, Vol. 2
Samuel Carter Hall (d. 1889)
1847 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Song of Solomon
King Solomon (d. -930)
1897 · Illustrations: photomechanical reproduction and woodcut?
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
King Albert's Book: A Tribute to the Belgian King and People from Representative Men and Women Throughout the World
Hall Caine (d. 1931)
[1914] · Illustrations: color process plates, relief halftones and line photoengravings
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hall of Enma, the King of Hell
Tomioka Tessai (d. 1924)
1919 · Hanging scroll; ink and color on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Chessmen (32)
Parker L. Hall (d. 1975)
1932 · Magnolia wood
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.