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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    346 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    306 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Hamlet Tries To Follow His Father's Ghos"8 records

Institutions answered newest-first by record, interleaved

Deity face pendant by an unrecorded maker, The Metropolitan Museum of Art

Deity face pendant

Unrecorded maker

7th–9th century · Jadeite or omphacite, iron ochre

Cleared · Public Domain

live
The MetSimilar
Hamlet Tries To Follow His Father's Ghost by Eugène Delacroix, The Metropolitan Museum of Art

Hamlet Tries To Follow His Father's Ghost

Eugène Delacroix (d. 1863)

1835 · Lithograph; second state of four

Cleared · Public Domain

live
The MetSimilar
The Ghost on the Terrace by Eugène Delacroix, The Metropolitan Museum of Art

The Ghost on the Terrace

Eugène Delacroix (d. 1863)

1843 · Lithograph, first state of five

Cleared · Public Domain

live
The MetSimilar
Hamlet and the Ghost of his Father by Adam Vogler, The Metropolitan Museum of Art

Hamlet and the Ghost of his Father

Adam Vogler (d. 1856)

mid-19th century · Pen and gray ink, over graphite; double framing lines in pen and gray ink

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hamlet and Daemon–The Tragicall Historie of Hamlet Prince of Denmarke

Edward Gordon Craig (d. 1966)

ca. 1928 · Woodcut on vellum; proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Ghost–The Tragicall Historie of Hamlet Prince of Denmarke, Act 1, Scene 1

Edward Gordon Craig (d. 1966)

ca. 1928 · Woodcut on vellum; proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Ghost–The Tragicall Historie of Hamlet Prince of Denmarke, Act 1, Scene 2

Edward Gordon Craig (d. 1966)

ca. 1928 · Woodcut on vellum; proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Calligraphic Composition

Unrecorded maker

first half 20th century · Paint on glass

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.