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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    416 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    359 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 19 matching records exist across the two collections.

Results for "Hardanger Fiddle"11 records

Institutions answered newest-first by record, interleaved

Viola d'Amore by an unrecorded maker, The Metropolitan Museum of Art

Viola d'Amore

Unrecorded maker

ca. 1700 · Wood, string

Cleared · Public Domain

live
The MetSimilar
Hardanger Fiddle by Isak Nielsen (Skaar) Botnen, The Metropolitan Museum of Art

Hardanger Fiddle

Isak Nielsen (Skaar) Botnen (d. 1759)

1756 · Pine, birch, and other woods, bone, lignum vitae and mother-of-pearl inlay.

Cleared · Public Domain

live
The MetSimilar
Hardanger Fiddle by an unrecorded maker, The Metropolitan Museum of Art

Hardanger Fiddle

Unrecorded maker

1786 · Wood, mother-of-pearl, ebony, bone

Cleared · Public Domain

live
The MetSimilar
Viola d'Amore by Johannes Florenus Guidantus, The Metropolitan Museum of Art

Viola d'Amore

Johannes Florenus Guidantus (d. 1760)

18th century · Spruce, maple, ebony

Cleared · Public Domain

live
The MetSimilar
Viola d'Amore by an unrecorded maker, The Metropolitan Museum of Art

Viola d'Amore

Unrecorded maker

18th century · Wood, ebony, mother of pearl, metal strings

Cleared · Public Domain

live
The MetSimilar
Viola d'Amore by Jean-Nicolas Lambert, The Metropolitan Museum of Art

Viola d'Amore

Jean-Nicolas Lambert (d. 1759)

second half 18th century · Wood

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hardanger Fiddle

Engel A. Godsen

1896 · Mother of pearl, ink, ebony, wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Viola d'Amore

Unrecorded maker

19th century · Wood, metal, brass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hardanger Fiddle

Unrecorded maker

19th century · wood, ivory

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hardanger Fiddle

A.O. Elkid

19th century · Ivory, mother of pearl, gut strings, wire, wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hardanger Fiddle

Unrecorded maker

ca. 1920 · Spruce, maple, alder wood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.