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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    361 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    615 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 18 matching records exist across the two collections.

Results for "Hardwick Hall, from "The Portfolio""12 records

Institutions answered newest-first by record, interleaved

Bedspread by an unrecorded maker, The Metropolitan Museum of Art

Bedspread

Unrecorded maker

late 17th century · Cotton, embroidered with silk

Cleared · Public Domain

live
The MetSimilar
Bedcover by an unrecorded maker, The Metropolitan Museum of Art

Bedcover

Unrecorded maker

1725–50 · Silk and metal-wrapped thread on linen

Cleared · Public Domain

live
The MetSimilar
Mary, Queen of Scots (identified as Mary of Guise) (from "The Scottish Gallery; or, Portraits of Eminent Persons of Scotland") by Edward Harding, The Metropolitan Museum of Art

Mary, Queen of Scots (identified as Mary of Guise) (from "The Scottish Gallery; or, Portraits of Eminent Persons of Scotland")

Edward Harding (d. 1840)

November 1, 1797 · Stipple engraving

Cleared · Public Domain

live
The MetSimilar
View from My Work Room Window in Hammond Street, New York City by John Hill, The Metropolitan Museum of Art

View from My Work Room Window in Hammond Street, New York City

John Hill (d. 1850)

ca. 1826–30 · Watercolor, pen and black ink, and graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Cour des bubastites et entrée de la Salle Hypostyle du palais de Karnac, Thèbes by Maxime Du Camp, The Metropolitan Museum of Art

Cour des bubastites et entrée de la Salle Hypostyle du palais de Karnac, Thèbes

Maxime Du Camp (d. 1894)

1849–50 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Porte méridionale de la Salle Hypostyle du Palais de Karnac (Thèbes) by Maxime Du Camp, The Metropolitan Museum of Art

Porte méridionale de la Salle Hypostyle du Palais de Karnac (Thèbes)

Maxime Du Camp (d. 1894)

1849–50 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Porte Septentrionale de la Salle Hypostyle du Palais de Karnac by Maxime Du Camp, The Metropolitan Museum of Art

Porte Septentrionale de la Salle Hypostyle du Palais de Karnac

Maxime Du Camp (d. 1894)

1849–50 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Ruines de la Salle Hypostyle du Palais de Karnac - Vue prise du Sud-Ouest by Maxime Du Camp, The Metropolitan Museum of Art

Ruines de la Salle Hypostyle du Palais de Karnac - Vue prise du Sud-Ouest

Maxime Du Camp (d. 1894)

1849–50 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
Vue de la Salle Hypostyle du palais de Karnac, prise sur l'angle N.E. by Maxime Du Camp, The Metropolitan Museum of Art

Vue de la Salle Hypostyle du palais de Karnac, prise sur l'angle N.E.

Maxime Du Camp (d. 1894)

1849–50 · Salted paper print from paper negative

Cleared · Public Domain

live
The MetSimilar
The Old Hall, Hardwick, Derbyshire, from "Illustrated London News" by William Bennett, The Metropolitan Museum of Art

The Old Hall, Hardwick, Derbyshire, from "Illustrated London News"

William Bennett (d. 1871)

May 23, 1863 · Wood engraving

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hardwick Hall, from "The Portfolio"

Alfred-Louis Brunet-Debaines (d. 1939)

February 1877 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of Henry Stacy Marks, from "The Portfolio"

Benjamin Damman (d. 1921)

May 1880 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.