Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
221 ms. The Metropolitan Museum of Art, Collection API (Open Access)
350 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 40 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mansions of England in the Olden Time
Joseph Nash (d. 1878)
1839 · Illustrations: lithographs with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bolton Abbey in Olden Time
Sir Edwin Henry Landseer (d. 1873)
May 8, 1837 · Etching and mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bolton Abbey in Olden TIme
Sir Edwin Henry Landseer (d. 1873)
May 8, 1837 · Etching and mezzotint with touches of watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mansions of England in the Olden Time. Second Series
Joseph Nash (d. 1878)
1840 · Illustrations: lithographs with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mansions of England in the Olden Time. Third Series
Joseph Nash (d. 1878)
1841 · Illustrations: lithographs with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Hawking in the Olden Time
Sir Edwin Henry Landseer (d. 1873)
January 1, 1842 · Mixed method engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Falconer's Son
Sir Edwin Henry Landseer (d. 1873)
March 26, 1844 · Etching and engraving on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Mansions of England in the Olden Time. Fourth Series
Joseph Nash (d. 1878)
1849 · Illustrations: lithographs with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sunday Morning – In the Olden Time
Samuel William Reynolds, the younger (d. 1872)
1848–56 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Sunday in the Olden Time
Currier & Ives (d. 1907)
1857–71 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ye Olden Time, from the Postage Stamps series (N85) for Duke brand cigarettes
W. Duke, Sons & Co. (d. 1920)
1889 · Commercial color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pittsburgh in ye Olden Time: A Souvenir of the Sesqui-Centennial: 1758–1908
The Bank of Pittsburgh (d. 1950)
1908 · Illustrations: photographs and reproductions of paintings, drawings, engraving and woodcuts
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.