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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    707 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    305 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 638 matching records exist across the two collections.

Results for "Head and Shoulders from an Osiride Statu"12 records

Institutions answered newest-first by record, interleaved

Osiride statue of Senwosret I by an unrecorded maker, The Metropolitan Museum of Art

Osiride statue of Senwosret I

Unrecorded maker

ca. 1961–1917 B.C. · Limestone

Cleared · Public Domain

live
The MetSimilar
Osiride statue of Senwosret I by an unrecorded maker, The Metropolitan Museum of Art

Osiride statue of Senwosret I

Unrecorded maker

ca. 1961–1917 B.C. · Limestone

Cleared · Public Domain

live
The MetSimilar
Head from a Statue of King Amenhotep I by an unrecorded maker, The Metropolitan Museum of Art

Head from a Statue of King Amenhotep I

Unrecorded maker

ca. 1525–1504 BCE · Sandstone, paint

Cleared · Public Domain

live
The MetSimilar
Head from an Osiride Statue of Hatshepsut by an unrecorded maker, The Metropolitan Museum of Art

Head from an Osiride Statue of Hatshepsut

Unrecorded maker

ca. 1473–1458 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Head of an Osiride Statue of Hatshepsut by an unrecorded maker, The Metropolitan Museum of Art

Head of an Osiride Statue of Hatshepsut

Unrecorded maker

ca. 1473–1458 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Head of an Osiride Statue of Hatshepsut by an unrecorded maker, The Metropolitan Museum of Art

Head of an Osiride Statue of Hatshepsut

Unrecorded maker

ca. 1473–1458 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Head of an Osiride Statue of Hatshepsut Originally in the Temple Sanctuary SE Corner by an unrecorded maker, The Metropolitan Museum of Art

Head of an Osiride Statue of Hatshepsut Originally in the Temple Sanctuary SE Corner

Unrecorded maker

ca. 1473–1458 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Head and Shoulders from an Osiride Statue

Unrecorded maker

ca. 1473–1458 BCE · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Head from an Osiride Statue of Hatshepsut

Unrecorded maker

ca. 1473–1458 BCE · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Head from an Osiride Statue of Hatshepsut

Unrecorded maker

ca. 1473–1458 BCE · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Head of an Osiride Statue of Hatshepsut

Unrecorded maker

ca. 1473–1458 BCE · Limestone, paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Saint Matthias, head and shoulders, holding an axe; from the series of The Holy Family and Apostles after Giovanni Battista Piazzetta

Marco Alvise Pitteri (d. 1786)

ca. 1730–86 · Etching and engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.