
Earring, One of a Pair
Unrecorded maker
11th–12th century · Gold; filigree and granulation
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
392 ms. The Metropolitan Museum of Art, Collection API (Open Access)
287 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 7,458 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Earring, One of a Pair
Unrecorded maker
11th–12th century · Gold; filigree and granulation
Cleared · Public Domain
live
Guardian Griffin (pair)
Unrecorded maker
1150–1175 · Sculpture, pink limestone (called "Verona Marble")
Cleared · CC0
live
Head of Christ
Unrecorded maker
12th century · Glass tesserae set in concrete
Cleared · Public Domain
live
Head of Christ (Ecce Homo)
Petrus Christus (d. 1476)
ca. 1445 · Oil on parchment, laid down on wood
Cleared · Public Domain
live
Head of Christ
Unrecorded maker
model late 15th century (cast 17th or 18th century) · Copper alloy; gilded and mounted on a later bronze support; integrally cast suspension tab.
Cleared · Public Domain
live
Head of Christ
Unrecorded maker
model ca. 1500 (old aftercast) · Copper alloy, partly painted in red and flesh tones; pierced.
Cleared · Public Domain
live
Head of Christ (one of a pair)
Master of the Life of Saint John the Baptist (d. 1550)
ca. 1500–1510 · Colored, stained, and enameled glass
Cleared · Public Domain
live
Head of Christ
Unrecorded maker
late 15th–early 16th century · Limestone, traces of wood thorns
Cleared · Public Domain
live
Head of Christ
Rembrandt (d. 1669)
1669 · Oil on canvas
Cleared · Public Domain
live
Head of Christ
Emmanuel Tzanès (d. 1690)
1690 · Tempera on wood, gold ground
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Adoration of the Infant Christ (one of a pair)
Pierre Reymond (d. 1590)
probably third quarter 16th century · Painted enamel on copper, partly gilt
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.