Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    618 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    313 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 30 matching records exist across the two collections.

Results for "Head of King Solomon (recto); Classical"12 records

Institutions answered newest-first by record, interleaved

Classical Female Figure (Diana or Venus) with Two Infants by Francesco Primaticcio, The Metropolitan Museum of Art

Classical Female Figure (Diana or Venus) with Two Infants

Francesco Primaticcio (d. 1570)

ca. 1539–42 · Pen and brown ink, highlighted with white gouache, over traces of black chalk, stylus and compass construction; traces of squaring in black chalk

Cleared · Public Domain

live
The MetSimilar
The Three Graces (recto); Four putti engaging in various activities (verso) by Christoph Murer, The Metropolitan Museum of Art

The Three Graces (recto); Four putti engaging in various activities (verso)

Christoph Murer (d. 1614)

1580s · Pen and black ink, brush and gray wash, heightened with white gouache, on paper prepared with semi-opaque gray wash

Cleared · Public Domain

live
The MetSimilar
Study of Boy's Head; the Queen of Sheba Before Solomon by Antonio Vassilacchi (called "Il Aliense"), The Metropolitan Museum of Art

Study of Boy's Head; the Queen of Sheba Before Solomon

Antonio Vassilacchi (called "Il Aliense") (d. 1629)

1580–94 · Black and red chalk, partly highlighted with white chalk, on blue paper

Cleared · Public Domain

live
The MetSimilar
Menelaus and Patroclus, after the Antique (recto and verso) by Henry Fuseli, The Metropolitan Museum of Art

Menelaus and Patroclus, after the Antique (recto and verso)

Henry Fuseli (d. 1825)

1770–78 · Pen and brown ink (recto); pen and ink over graphite (verso)

Cleared · Public Domain

live
The MetSimilar
Classical Molding with Human Head, Leaves, Vines and Empty Roundels (recto); Detail of Classical Molding with Eagle In front of a Wreath with Ribbon Below (verso) by Thomas Hardwick, The Metropolitan Museum of Art

Classical Molding with Human Head, Leaves, Vines and Empty Roundels (recto); Detail of Classical Molding with Eagle In front of a Wreath with Ribbon Below (verso)

Thomas Hardwick (d. 1829)

1776–79 · Graphite

Cleared · Public Domain

live
The MetSimilar
Head of King Solomon (recto); Classical Head (verso) by Benjamin Robert Haydon, The Metropolitan Museum of Art

Head of King Solomon (recto); Classical Head (verso)

Benjamin Robert Haydon (d. 1846)

ca. 1812 · Black chalk with white chalk on brown paper (recto); black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Head of King Solomon (recto); Study of a boy's head and arm (verso) by Benjamin Robert Haydon, The Metropolitan Museum of Art

Head of King Solomon (recto); Study of a boy's head and arm (verso)

Benjamin Robert Haydon (d. 1846)

1813 · Black chalk

Cleared · Public Domain

live
The MetSimilar
Man with Donkey and Reclining Boy (Recto); Two Areas Blocked in Blue: Head of Man, Female Head and Head (Verso) (from Sketchbook) by James McNeill Whistler, The Metropolitan Museum of Art

Man with Donkey and Reclining Boy (Recto); Two Areas Blocked in Blue: Head of Man, Female Head and Head (Verso) (from Sketchbook)

James McNeill Whistler (d. 1903)

1854–55 · Black and brown ink on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Dawn (Head of Hypnos) by Simeon Solomon, The Metropolitan Museum of Art

Dawn (Head of Hypnos)

Simeon Solomon (d. 1905)

1901 (?) · Blue, red, brown and black chalk; framing lines in black chalk

Cleared · Public Domain

live
The MetSimilar
Figure with head scarf by Simeon Solomon, The Metropolitan Museum of Art

Figure with head scarf

Simeon Solomon (d. 1905)

1890–1905 · Watercolor and gouache (bodycolor)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The King receiving his scepter from the hands of Providence (Le Roi reçoit son sceptre des mains de la Providence)

Etienne Delaune (d. 1583)

ca. 1557 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Elements of Drawing, In a Series of Examples Extracted from Pictures Painted by, and in the Gallery of Benjamin West, Esq., Historical Painter to the King, President of the Royal Academy, &c. &c.

Edward Scriven (d. 1841)

1813 · Illustrations: stipple engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.