Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    366 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    318 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 14,078 matching records exist across the two collections.

Results for "Head of a God"12 records

Institutions answered newest-first by record, interleaved

Head of Ptah by an unrecorded maker, The Metropolitan Museum of Art

Head of Ptah

Unrecorded maker

ca. 1550–1080 BCE ? · Egyptian blue, gold leaf

Cleared · Public Domain

live
The MetSimilar
Fragment of a Goat's Head by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Goat's Head

Unrecorded maker

c. 500–475 BCE · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of a God by an unrecorded maker, The Metropolitan Museum of Art

Head of a God

Unrecorded maker

ca. 1427–1396 BCE · White Limestone

Cleared · Public Domain

live
The MetSimilar
Idealized Head by an unrecorded maker, The Cleveland Museum of Art

Idealized Head

Unrecorded maker

50 BCE–100 CE · Sculpture, dolomite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Jug and Lid with the Head of a Bull or Calf by an unrecorded maker, The Metropolitan Museum of Art

Jug and Lid with the Head of a Bull or Calf

Unrecorded maker

ca. 1386–1347 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Mule-Head Attachment for a Couch by an unrecorded maker, The Cleveland Museum of Art

Mule-Head Attachment for a Couch

Unrecorded maker

200–100 BCE · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of the god Amun by an unrecorded maker, The Metropolitan Museum of Art

Head of the god Amun

Unrecorded maker

ca. 1328–1318 BCE · Granodiorite

Cleared · Public Domain

live
The MetSimilar
Colossal Head of a Deva by an unrecorded maker, The Cleveland Museum of Art

Colossal Head of a Deva

Unrecorded maker

c. 1200 · Stone, sandstone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Figure of a Baboon by an unrecorded maker, The Metropolitan Museum of Art

Figure of a Baboon

Unrecorded maker

664–525 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Eros, the God of Love by an unrecorded maker, The Cleveland Museum of Art

Eros, the God of Love

Unrecorded maker

1–100 CE · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of an anthropomorphic falcon god by an unrecorded maker, The Metropolitan Museum of Art

Head of an anthropomorphic falcon god

Unrecorded maker

ca. 1386–332 BCE · Diorite

Cleared · Public Domain

live
The MetSimilar
Head of Saint John the Baptist by an unrecorded maker, The Cleveland Museum of Art

Head of Saint John the Baptist

Unrecorded maker

c. 1550–1650 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.