
Head of King Userkaf
Unrecorded maker
c. 2454–2447 BCE · Sculpture, painted limestone
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
394 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 160 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Head of King Userkaf
Unrecorded maker
c. 2454–2447 BCE · Sculpture, painted limestone
Cleared · CC0
live
Inlay: Head of a King
Unrecorded maker
380–246 BCE · Glyptic, red jasper
Cleared · CC0
live
Votive Head of a King
Unrecorded maker
305–246 BCE · Sculpture, limestone
Cleared · CC0
live
Ancestral Commemorative Head (uhunmwun-elao)
Unrecorded maker
possibly mid-1500s or early 1600s · Sculpture, Copper alloy and iron
Cleared · CC0
live
Head of a King
Unrecorded maker
c. 1069–715 BCE · Sculpture, granodiorite
Cleared · CC0
live
Head of a Follower of Shiva
Unrecorded maker
900s · Sculpture, sandstone
Cleared · CC0
live
Head of a Deity or a Deified King
Unrecorded maker
mid-900s · Sculpture, sandstone
Cleared · CC0
live
Head of a Young Noble
Unrecorded maker
746 · Sculpture, stone
Cleared · CC0
live
Head of Alexander the Great
Unrecorded maker
c. 300–200 BCE · Sculpture, marble
Cleared · CC0
live
The king of Bahilistan offers his daughter to the King of Kings, from a Tuti-nama (Tales of a Parrot): Seventh Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
The dervish brings the King of Kings before the king of Bahilistan, from a Tuti-nama (Tales of a Parrot): Seventh Night
Unrecorded maker
c. 1560 · Painting, gum tempera, ink, and gold on paper
Cleared · CC0
live
Head of a Woman
Unrecorded maker
400–200 BCE · Sculpture, marble
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.