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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    575 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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1 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "Head of a Man, Two Studies of a Woman's"6 records

Institutions answered newest-first by record, interleaved

Sheet of Studies: Seated Man, Head of a Dog, Seated Woman by Claude-Joseph Vernet, The Cleveland Museum of Art

Sheet of Studies: Seated Man, Head of a Dog, Seated Woman

Claude-Joseph Vernet (d. 1789)

1700s · Drawing, red chalk (seated man); black chalk (head of a dog); pen and brown ink over black chalk (seated woman)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bust of a Woman (recto); Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso) by Benozzo Gozzoli, The Cleveland Museum of Art

Bust of a Woman (recto); Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)

Benozzo Gozzoli (d. 1497)

c. 1458 · Drawing, metalpoint with point of brush and brown ink heightened with white gouache

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A Young Woman Buying a Pink from a Young Man by Giovanni Battista Piazzetta, The Cleveland Museum of Art

A Young Woman Buying a Pink from a Young Man

Giovanni Battista Piazzetta (d. 1754)

c. 1740 · Drawing, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right) by John Brown, The Cleveland Museum of Art

Woman Standing among the Friars (recto) Sketches of Heads (verso, left); Two Women (verso, right)

John Brown (d. 1787)

c. 1770–75 · Drawing, graphite and gray and black wash with point of brush

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso) by Benozzo Gozzoli, The Cleveland Museum of Art

Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)

Benozzo Gozzoli (d. 1497)

c. 1458 · Drawing, metalpoint with point of brush and brown wash, brush and brown wash, and stylus, heightened with white gouache

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Sketches of Heads (verso, left); Two Women (verso, right) by John Brown, The Cleveland Museum of Art

Sketches of Heads (verso, left); Two Women (verso, right)

John Brown (d. 1787)

c. 1770–75 · Drawing, left: graphite; right: gray and black wash with point of brush and graphite

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.