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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    411 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    355 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 23,974 matching records exist across the two collections.

Results for "Head of a Man wearing a Cap"12 records

Institutions answered newest-first by record, interleaved

Terracotta head of a man wearing a cap by an unrecorded maker, The Metropolitan Museum of Art

Terracotta head of a man wearing a cap

Unrecorded maker

3rd–2nd century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Prestige Cap (mpu ngola) by an unrecorded maker, The Cleveland Museum of Art

Prestige Cap (mpu ngola)

Unrecorded maker

late 1800s–early 1900s · Garment, Raffia palm fiber (Raphia ruffia or R. vinifera) and leopard claws

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of a Man Wearing a Cap or Helmet by an unrecorded maker, The Metropolitan Museum of Art

Head of a Man Wearing a Cap or Helmet

Unrecorded maker

possibly 2nd–3rd century · Fossiliferous limestone

Cleared · Public Domain

live
The MetSimilar
Cap by an unrecorded maker, The Cleveland Museum of Art

Cap

Unrecorded maker

1800s · Garment, Velvet embroidered with gilt-silver–wrapped silk thread (zari); silk: lining; rubies, pearls, and spinels

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of a Man Wearing a Cap by Domenico Ghirlandaio (Domenico Bigordi), The Metropolitan Museum of Art

Head of a Man Wearing a Cap

Domenico Ghirlandaio (Domenico Bigordi) (d. 1494)

ca. 1495–1505 · Metalpoint, heightened with brush and white, on reddish orange prepared paper.

Cleared · Public Domain

live
The MetSimilar
Head of Bearded Banqueter by an unrecorded maker, The Cleveland Museum of Art

Head of Bearded Banqueter

Unrecorded maker

525–500 BCE · Sculpture, terracotta

Cleared · CC0

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Cleveland Museum of ArtSimilar
Head of a Bearded Man Wearing a Cap by Jacques de Gheyn II, The Metropolitan Museum of Art

Head of a Bearded Man Wearing a Cap

Jacques de Gheyn II (d. 1629)

late 16th–early 17th century · Pen and brown ink, brush and brown wash; framling lines in graphite

Cleared · Public Domain

live
The MetSimilar
Bracket with Two Musicians by an unrecorded maker, The Cleveland Museum of Art

Bracket with Two Musicians

Unrecorded maker

100s CE · Sculpture, schist

Cleared · CC0

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Cleveland Museum of ArtSimilar
Bust of an Old Man Wearing a Fur Cap by Jan Lievens, The Metropolitan Museum of Art

Bust of an Old Man Wearing a Fur Cap

Jan Lievens (d. 1674)

ca. 1631 · Etching, second state of four

Cleared · Public Domain

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The MetSimilar
Historiated Initial (O) Excised from an Antiphonary: The Donor, Gorus Fucci, Kneels before Christ by an unrecorded maker, The Cleveland Museum of Art

Historiated Initial (O) Excised from an Antiphonary: The Donor, Gorus Fucci, Kneels before Christ

Unrecorded maker

c. 1300–1350 · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

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Cleveland Museum of ArtSimilar
Seated Man Wearing a Flat Cap by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

Seated Man Wearing a Flat Cap

Rembrandt (Rembrandt van Rijn) (d. 1669)

1635–40 · Pen and brown ink, brush and brown wash, heightened with white gouache; framing lines in pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Hand Coil by an unrecorded maker, The Cleveland Museum of Art

Hand Coil

Unrecorded maker

1800s · Tools and Equipment, Copper alloy

Cleared · CC0

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Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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