Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1218 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    288 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7,315 matching records exist across the two collections.

Results for "Head of a bearded man, two hands, and fe"11 records

Institutions answered newest-first by record, interleaved

Limestone head of a bearded man by an unrecorded maker, The Metropolitan Museum of Art

Limestone head of a bearded man

Unrecorded maker

early 6th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone head of a bearded man by an unrecorded maker, The Metropolitan Museum of Art

Limestone head of a bearded man

Unrecorded maker

ca. 4th century BCE · White limestone

Cleared · Public Domain

live
The MetSimilar
Head of a bearded man by an unrecorded maker, The Metropolitan Museum of Art

Head of a bearded man

Unrecorded maker

400–30 BCE · Pottery

Cleared · Public Domain

live
The MetSimilar
Marble head of a bearded man by an unrecorded maker, The Metropolitan Museum of Art

Marble head of a bearded man

Unrecorded maker

1st century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Head of a Bearded Man by an unrecorded maker, The Metropolitan Museum of Art

Head of a Bearded Man

Unrecorded maker

ca. 1160–70 · Limestone

Cleared · Public Domain

live
The MetSimilar
Head of a Bearded Man by Anonymous, Bohemian, 14th century, The Metropolitan Museum of Art

Head of a Bearded Man

Anonymous, Bohemian, 14th century (d. 1399)

1360–80 · Pen and gray-brown ink, brush and gray-black and brown wash, traces of white gouache highlights

Cleared · Public Domain

live
The MetSimilar
Head of a Bearded Man by Monogrammist SM, The Metropolitan Museum of Art

Head of a Bearded Man

Monogrammist SM (d. 1515)

1515 · Pen and black ink

Cleared · Public Domain

live
The MetSimilar
Head of a Bearded Man by Anonymous, Italian, Sienese, 16th century, The Metropolitan Museum of Art

Head of a Bearded Man

Anonymous, Italian, Sienese, 16th century (d. 1600)

1500–50 · Pen and brown ink, brush and brown and red wash

Cleared · Public Domain

live
The MetSimilar
Head of a Bearded Man by Hans Hoffmann, The Metropolitan Museum of Art

Head of a Bearded Man

Hans Hoffmann (d. 1592)

1579 · Pen and orange-brown ink, brush and brown and black washes, heightened with white

Cleared · Public Domain

live
The MetSimilar
Head of a Bearded Man by Giovanni Serodine, The Metropolitan Museum of Art

Head of a Bearded Man

Giovanni Serodine (d. 1630)

1600–30 · Watercolor, highlighted with white gouache, over black chalk

Cleared · Public Domain

live
The MetSimilar
Head of a Bearded Man by Domenichino (Domenico Zampieri), The Metropolitan Museum of Art

Head of a Bearded Man

Domenichino (Domenico Zampieri) (d. 1641)

1620–30 · Black chalk, highlighted with white chalk

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.