Head of an Angel
Unrecorded maker
ca. 1250 · Limestone
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
844 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
738 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13,081 matching records exist across the two collections.
Results for "Head of an Angel in Left Profile"12 records
Institutions answered newest-first by record, interleaved
Head of a Man, Two Studies of a Woman's Profile, and a Study of An Angel (verso)
Benozzo Gozzoli (d. 1497)
c. 1458 · Drawing, metalpoint with point of brush and brown wash, brush and brown wash, and stylus, heightened with white gouache
Cleared · CC0
liveCleveland Museum of ArtSimilar
Head of an Angel in Full Face
Taddeo di Bartolo (d. 1422)
ca. 1415–18 · Tempera on wood (paint around head scraped away and vacant area gessoed)
Cleared · Public Domain
liveThe MetSimilar
Head of an Angel in Left Profile
Taddeo di Bartolo (d. 1422)
ca. 1415–18 · Tempera on wood (paint around head scraped away and vacant area gessoed)
Cleared · Public Domain
liveThe MetSimilar
The Head of a Woman in Profile Facing Left
Giovanni Antonio Boltraffio (d. 1516)
1490–1500 · Silverpoint and leadpoint, highlighted with white gouache, on pale blue-gray (indigo) prepared paper. Media tested by the Department of Scientific Research, The Metropolitan Museum of Art, with x-ray fluorescence spectroscopy (XRF) and fiber optics reflectance spectroscopy (FORS); October 1, 2019.
Cleared · Public Domain
liveThe MetSimilar
Head of man in Profile to Left
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1503–40 · Red chalk (face) and black chalk (hair, beard, and eyes)
Cleared · Public Domain
liveThe MetSimilar
Head of a bald man in profile to left
Wenceslaus Hollar (d. 1677)
1644–52 · Etching; only state
Cleared · Public Domain
liveThe MetSimilar
Head of an old man wearing cap in profile to left
Wenceslaus Hollar (d. 1677)
1644–52 · Etching; only state
Cleared · Public Domain
liveThe MetSimilar
Head of an old man with tufts of curly hair around ear in profile to left
Wenceslaus Hollar (d. 1677)
1644–52 · Etching; only state
Cleared · Public Domain
liveThe MetSimilar
Ecorche head of a man in profile to left
Wenceslaus Hollar (d. 1677)
1660 · Etching; only state
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman in left profile
Wenceslaus Hollar (d. 1677)
1642 · Etching: only state
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Head of an old man wearing cap in profile to left
Wenceslaus Hollar (d. 1677)
1644–52 · Etching; only state
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.