
Cove
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush with brown, green and pink wash, over black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
337 ms. The Metropolitan Museum of Art, Collection API (Open Access)
509 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10,247 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cove
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush with brown, green and pink wash, over black chalk
Cleared · Public Domain
live
Design for the Corner of a Cove
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and light brown ink, brush and gray, light brown wash and watercolor, over leadpoint, with ruled and compass construction
Cleared · Public Domain
live
Design for the Cove of a Ceiling
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and gray ink, brush and gray wash, over leadpoint, with ruled and compass construction; framing lines in leadpoint
Cleared · Public Domain
live
The Smugglers' Cove
Albert Pinkham Ryder (d. 1917)
ca. 1880 · Oil on gilt leather
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Zennor Cove, Cornwall
Edith Lawrence (d. 1973)
date not published
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mine Cove
Michael J. Gallagher (d. 1965)
ca. 1937 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pigeon Cove
Harry Shokler (d. 1978)
1935–43 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Cove
George Constant (d. 1978)
1935–43 · Drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Windy Cove
Joseph Rajer (d. 2008)
1935–43 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Advertising Sheet: Head of the Cove
Unrecorded maker
1945 · Paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Head of the Cove
Louise T. Kenyon (d. 1998)
1945 · Printed cotton placemat
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Cove
Fairfield Porter (d. 1975)
1964 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.