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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    287 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    381 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,323 matching records exist across the two collections.

Results for "Heart of the Andes"11 records

Institutions answered newest-first by record, interleaved

Heart amulet by an unrecorded maker, The Metropolitan Museum of Art

Heart amulet

Unrecorded maker

ca. 1550–1200 BCE · Glass

Cleared · Public Domain

live
The MetSimilar
Heart amulet by an unrecorded maker, The Metropolitan Museum of Art

Heart amulet

Unrecorded maker

ca. 1550–1080 BCE · White Agate

Cleared · Public Domain

live
The MetSimilar
Heart amulets by an unrecorded maker, The Metropolitan Museum of Art

Heart amulets

Unrecorded maker

ca. 1550–1200 BCE · Agate, glass

Cleared · Public Domain

live
The MetSimilar
Heart Amulet by an unrecorded maker, The Metropolitan Museum of Art

Heart Amulet

Unrecorded maker

ca. 1300–1080 BCE · Red jasper

Cleared · Public Domain

live
The MetSimilar
Heart amulet by an unrecorded maker, The Metropolitan Museum of Art

Heart amulet

Unrecorded maker

664–30 BCE · Green stone

Cleared · Public Domain

live
The MetSimilar
Heart Scarab by an unrecorded maker, The Metropolitan Museum of Art

Heart Scarab

Unrecorded maker

ca. 1080–332 BCE · Slate

Cleared · Public Domain

live
The MetSimilar
Heart of the Andes by Frederic Edwin Church, The Metropolitan Museum of Art

Heart of the Andes

Frederic Edwin Church (d. 1900)

1859 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The White Captive by Erastus Dow Palmer, The Metropolitan Museum of Art

The White Captive

Erastus Dow Palmer (d. 1904)

1857–58; carved 1858–59 · Marble

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Heart of the Andes

Frederic Edwin Church (d. 1900)

1862 · Steel engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Homage to Church's Picture, "The Heart of the Andes": Marche di Bravura, The Andes

Frederic Edwin Church (d. 1900)

1863 · Cover page: lithograph with tint stone

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Heart of the Storm

Anne W. Brigman (d. 1950)

1912 · Gelatin silver print from glass negative

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.