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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    331 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 82 matching records exist across the two collections.

Results for "Hebrew Bible"11 records

Institutions answered newest-first by record, interleaved

Leaf with Initial from a Latin Bible: Initial M: St. Paul with a Sword and a Book by Vienna Moralized Bible Workshop, The Cleveland Museum of Art

Leaf with Initial from a Latin Bible: Initial M: St. Paul with a Sword and a Book

Vienna Moralized Bible Workshop

c. 1220 · Manuscript, ink, tempera and burnished gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Gothic Bible (Vulgate) by an unrecorded maker, The Cleveland Museum of Art

Gothic Bible (Vulgate)

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fol. iii v, Foliated Initial by an unrecorded maker, The Cleveland Museum of Art

Fol. iii v, Foliated Initial

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fol. ir: Prologue, St. Jerome, large historiated initial I, the saint in a brown habit writing at a desk in a gothic architectural frame, with full-length border of foliage and small hybrids, a hare, a dog and a grotesque perched on the foliage extensions by an unrecorded maker, The Cleveland Museum of Art

Fol. ir: Prologue, St. Jerome, large historiated initial I, the saint in a brown habit writing at a desk in a gothic architectural frame, with full-length border of foliage and small hybrids, a hare, a dog and a grotesque perched on the foliage extensions

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Vision of Saint Jerome by Giovanni Battista Langetti, The Cleveland Museum of Art

The Vision of Saint Jerome

Giovanni Battista Langetti (d. 1676)

c. 1660 · Painting, oil on canvas

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fol. 459r, Philemon, historiated initial P, Paul addressing three men and Hebrews, historiated initial M, Paul seated at a desk, writing by an unrecorded maker, The Cleveland Museum of Art

Fol. 459r, Philemon, historiated initial P, Paul addressing three men and Hebrews, historiated initial M, Paul seated at a desk, writing

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fol. 178v, Nehemiah, historiated initial V, Nehemiah presenting the golden cup to Artaxerxes by an unrecorded maker, The Cleveland Museum of Art

Fol. 178v, Nehemiah, historiated initial V, Nehemiah presenting the golden cup to Artaxerxes

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fol. 224v, Psalm 68, historiated initial S, David in the water appealing to God above by an unrecorded maker, The Cleveland Museum of Art

Fol. 224v, Psalm 68, historiated initial S, David in the water appealing to God above

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fol. 368v, Malachi, historiated initial O, Malachi seated with a scroll by an unrecorded maker, The Cleveland Museum of Art

Fol. 368v, Malachi, historiated initial O, Malachi seated with a scroll

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fol. 404r, Mark, historiated initial I, Mark standing with a scroll by an unrecorded maker, The Cleveland Museum of Art

Fol. 404r, Mark, historiated initial I, Mark standing with a scroll

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fol. 481v, Jude, historiated initial I, Jude standing with a scroll by an unrecorded maker, The Cleveland Museum of Art

Fol. 481v, Jude, historiated initial I, Jude standing with a scroll

Unrecorded maker

c. 1275–1300 · Bound Volume, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.