
David Maitland Armstrong and Helen Neilson Armstrong in 15th-century Style Fancy Dress in Rome
Anonymous, Italian (d. 2050)
1871 · Photograph
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
634 ms. The Metropolitan Museum of Art, Collection API (Open Access)
326 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

David Maitland Armstrong and Helen Neilson Armstrong in 15th-century Style Fancy Dress in Rome
Anonymous, Italian (d. 2050)
1871 · Photograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Helen Maitland Armstrong in a Flower Garden
Anonymous, American, 20th century (d. 1999)
ca. 1900 · Photograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maud
Margaret Neilson Armstrong (d. 1944)
1905
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lilac Clematis (Atragene Occidentalis)
Margaret Neilson Armstrong (d. 1944)
July 1909 · Watercolor and brown ink over graphite, with page design indicated in graphite, and details in ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Angel Revealing a Vision of The New Jerusalem: Design for a Stained Glass Window, Saint Michael's Episcopal Church, New York
D. Maitland Armstrong (d. 1918)
1910 · Watercolor and pen and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Suffer the Little Children to Come Unto Me: Design for Two Panels in a Stained Glass Window
D. Maitland Armstrong (d. 1918)
1890–1918 · Watercolor and pen and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Veritas: Design for a Memorial Stained Glass Window
D. Maitland Armstrong (d. 1918)
1890–1918 · Watercolor and pen and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Angel, Flora and Pomona: Design for a Panel To be Placed Over a Dining Room Sideboard in an Apartment Hotel
Helen Maitland Armstrong (d. 1948)
1895–1920 · Watercolor, gold paint, pen and ink and graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Prophet Isaiah: Design for a Stained Glass Window in Memory of Dwight Braman, Christ's Church, Marlborough, New York
Helen Maitland Armstrong (d. 1948)
ca. 1929 · Watercolor and pen and ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stained Glass Design: Man and Woman in 16th-century Costume Clasping Hands Beneath a Tree from Which Hangs an Armorial Shield
Helen Maitland Armstrong (d. 1948)
n.d. · Ink, watercolor and gouache
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.